Berlin is surely the coolest city on earth. Erika La Tour Eiffel (AKA Erika Mauer) was my next-door neighbor for a while in Berlin.  She is an Objectum Sexual and here is her story! (You can watch all of the episodes here):

Don’t let the unique nature of her sexual orientation to turn you off to her.  She’s a badass and have accomplished amazing things in her 37+ years. She is coo, she is creative, and she is unique, for sure! I like her, she’s cool and doing cool things and definitely living her life her way.

Erika “Aya” Eiffel is authentic, amazing, and a world-class Olympic archer and was trained in Japan in the art of the Samurai sword and was actually conferred a world title in Soga-Ryu iai-batto-jutsu, san-dan (3rd level black belt) in Toyama-Ryu iai-batto-jutsu, and san-dan in the Zen Nihon To-Do Renmei:

From Erika “Aya” La Tour Eiffel’s Bio

I always had a fascination for weapons. Strange you say? Strange enough, that it lead me to start martial arts. I wanted to learn to use the Japanese katana. My plight eventually took me to Japan to study with the true masters of Japanese sword fighting. A few years ago my back nearly won the battle but after seven months of rehab, I returned and won a World Title and became the youngest instructor in the art of Soga-Ryu iai-batto-jutsu. I continued my love of the Japanese sword and earned the rank of san-dan (3rd level black belt) in Toyama-Ryu iai-batto-jutsu and also achieved san-dan in the Zen Nihon To-Do Renmei. I know, I know, I need start a webpage just dedicated to my other life as a swordswoman in Japan!

How cool is that?  Amazing!  Well, it doesn’t stop there… Erika “Aya” Eiffel transitioned away from swordsmanship to becoming an Olympic archer using her beloved recurve bow, Lance:

Archer Spotlight on Aya La Brie By Steve Ross

Having only started her archery career four years ago in 1999, Erika “Aya” La Brie had a tremendous year competitively in 2004. She was part of the Women’s Compound Team that took home a gold medal and new world record at the World Target Championships in New York City this past July. At the NAA Nationals, she shot both recurve and compound taking 10th and third place respectively. Aya also shoots the modern Longbow, traditional Japanese bow and is skilled in martial arts. I managed to catch Aya during an archery “holiday” due to a mountain bike accident.

USAA: I heard you recently had a serious mountain bike accident. What happened and will it impact your archery plans for the rest of the outdoor season?

Erika “Aya” La Brie: Well, I prefer to commute on my mountain bike as a form of cross training for my archery and last Wed. was no different. I was crossing a street on the walk signal and a truck came from the outside lane and turned in front of me. He sent me sailing when I tried to veer and brake. I flipped twice and crashed in a heap in the middle of the street. He paused only long enough to see if I was alive and sped off once I sat up.

I ended up with three mashed ribs, elbows, knee and ankle and large scrapes on my back. Fortunately, I always wear a helmet, which cracked. Otherwise, I have no crippling injuries. However, it did put a damper on the IBO Worlds, which I had to fly to the next morning followed by a five-hour drive. I managed to shoot but was in a lot of pain the whole weekend. Since my return, my training has been put on hold for the next few weeks to let my ribs and knee heal. I have never taken more than two weeks off from training and will have to rely on mental imagery until I can shoot again. Mental training helped me earlier this year when I was hospitalized for two weeks. All the experience gained from this year will help put together a good regimen until I’m ready to hit the range again.

USAA: I’m glad you’re ok and will only need a short break. You have had a fantastic year; shooting on the women’s compound team that shot a new world record must have been great.

Erika “Aya” La Brie: “Fantastic year” is more of an understatement to describe the year I’ve had! I started archery with recurve in 1999 and shot for one year before an injury forced me to shoot with a release if I wanted to continue shooting. So I picked up compound and shot for a year until last year when my hand healed and I could shoot fingers again. I switched back to recurve and made the U.S. World Field Team and alternate for the World Indoor Team. However, after shooting the Vegas Shoot this year with compound and recurve I decided I wanted to shoot both bows for NAA ranking. I had already decided I would shoot both bows at the Target Nationals, so I needed to divvy out the USAT events between both to meet the requirements. Indoor Nationals was the first step for my compound and decided the AZ Cup would be the second. The rest of the season would be recurve. Famous last words…

USAA: Tell me about shooting at the World Target event; do you treat it any different than just a normal FITA event?

Erika “Aya” La Brie: I was still in a dream-like state when I arrived in New York after making the U.S. Compound Team. I never ever imagined I would win the FITA and OR at the Arizona Cup, Texas Shootout and Gold Cup! Now I was standing on the shooting line at the World Target Championships!

All my FITA’s up to that point, I had trained myself not to fear the consequences of my shooting because I shot only for me. If I shot poorly, surely I would not shrivel up and die. Now for the first time I felt the weight of being on a team and representing the USA. My teammates were all experienced veterans and after having some difficulties on the first day of the FITA, I was afraid I would not be permitted to shoot the team round as the coach and other members questioned my experience. I pushed myself even harder and achieved several personal bests in the FITA and the matches. Now I felt that I had to prove myself to my team and to my country. To my greatest relief, the coach chose me to be the starting shooter in the team round. Since I was a rookie and had no expectations other than to shoot my best, I feel very blessed that I share a world record and have a gold medal.

USAA: Did you do any special training?

Erika “Aya” La Brie: Two weeks prior to the World Target, I moved to the Archery International Training Center in Carbondale, Ill. I worked on my backup bow and practiced shooting matches and having to deal with equipment failure etc. Good thing because I had to use my backup bow for one of the team matches. But not all my training was for the Worlds. I also had to train for the ESPN Great Outdoor Games, which was held just prior to the worlds. The Games required a speed setup and also a considerably faster shooting style than I use for target.

USAA: I don’t know of many archers who in the matter of just a few years are competing at the level you are. Do you credit some of this to your background in martial arts?

Erika “Aya” La Brie: I have made two world teams in four years with two different bows. I guess it is not common, but I have always felt my archery was a continuation of the martial arts I started many years prior to picking up a bow and arrow.

USAA: From what I understand you were a serious student of Japanese swordsmanship and Kyudo (Japanese archery). Can you describe this training?

Erika “Aya” La Brie: When I started martial arts, I quickly realized that contact martial arts was not a field I should explore if I wanted to preserve my kneecaps. So it seemed reasonable that I should fall in love with weapon’s work. The Japanese sword became my top choice from an arsenal of amazing traditional weapons. Along with training to draw, block and cut, I learned the value of becoming “one with your weapon.” This approach to fighting is where I found the most valuable tool for the mental game I currently use. Being so in tune with my katana definitely facilitated my way to winning the World Cup seven years ago. The katana was not a choice weapon for women. The training was rigorous and dangerous as we used live blades and actually cut in practice. Ask me how dangerous someday!

When I started Kyudo, I found myself getting very frustrated because of a handicap in my right shoulder. Regardless of how much I practiced, my shoulder refused to relinquish the flexibility I needed for certain motions in the shooting sequence. I shot four hours every day on a rooftop range at a Shinto shrine in Kamakura with my Japanese bow (yumi). Six months later I beat my entire school at a dojo tourney. I also was the first female non-Japanese to be inducted into the Ogasawara School of Mounted Archery. However, I knew that the beauty that made Kyudo an art would never be found with the imperfections in my form. I never even cared if I hit the target. I only wanted to shoot with beautiful style and form. I most definitely credit my training in martial arts to my advancement in archery. My bow is NOT equipment but an extension of my own being, just as my katana and my yumi were. My form, also unorthodox in many ways, is a style of my own and one that I am committed to.

USAA: You shoot Olympic style recurve, FITA compound, and various traditional bows. As for tournaments, you participate in NAA, 3-D, FITA and NFAA. Am I missing anything?

Erika “Aya” La Brie: I am still new to 3-D but have competed in a couple ASA and IBO tournaments each. I would like to shoot more 3-D but most are on the other side of the Mississippi. Since moving to Colorado, I have enjoyed shooting in CSAA (Colorado State Archery Association) tournaments and have broken nine state records since last December with all three bows. I am also new to the NFAA this year and was surprised to find a whole different organization with a different approach to target and field shooting as compared to the NAA.

USAA: Do you find it difficult switching between styles?

Erika “Aya” La Brie: This is the most frequently asked question. I learned recurve from a coach in Japan, but I taught myself to shoot compound and recently, modern longbow. Strange enough, my styles are so different from each other that I do not find it hard to switch, even in the same tournament and on occasion, the same shooting line. I find it a challenge to shoot all three bows at the same event, kind of like an archery triathlon.

USAA: Do you have a personal coach?

Erika “Aya” La Brie: When I started recurve archery in April of 1999, I had a wonderful coach for six months: Tastuo Nobori. He was my only coach and was very strict about mental and physical conditioning. But the foundations that he laid, I still use today. I’ve never had a compound coach. I just wanted to continue shooting so badly that I figured out how by applying what I learned with recurve to compound.

USAA:What is your training schedule like?

Erika “Aya” La Brie: I try to shoot four hours every day with focus on repetition of my shot sequence. At the end of training I usually do stamina exercises with my bow followed by a short run. I also cross-train by riding 30-50 miles or more a week on my mountain bike. I also jog 5 miles/run, a couple times per week. Every night just before bed I take a hot shower and stretch for 20 min. NO exceptions! I also do a lot of visual training using former pressure situations as the model.

USAA: Would you like to mention anyone in particular for giving you support this year?

Erika “Aya” La Brie: I never dreamed I would have the support that I do in archery. My greatest being from the Lord above. My sponsors are TechnoHunt, Doinker, Sure-Loc, Golden Key Futura, Carter and Specialty Archery. I would like to thank Hoyt USA for making great compound and recurve bows.

USAA: What are your compound and recurve setups?

Compound: 60# Hoyt UltraTec XT3000 Cam 1½, Easton X-10 500 Spin Wings, SureLoc Supreme, Specialty Super Scope 6X, Doinker² Stabilizer,

Recurve: 44# Hoyt Avalon+ and FX Limbs, Easton ACE 570, SureLoc FITA Extreme

She is also on the 2009 National Team for Archery, Recurve Bow:

The 2009 Senior USAT Team includes:

Recurve

Men       Women

Dan Schuller – Mercer, PA   Karen Scavotto – Enfield, CT

Joe McGlyn – Floral Park, NY  Erin Mickelberry – Bothell, WA

Jason McKittrick – Holton, IN  Stephanie Miller – Naperville, IL

Dakota Sinclair – Ridgecrest, CA  Lori Cieslinski – Howell, MI

Ted Holland – Westminster, CO  Kendra Harvey – Rio Rancho, NM

Jake Kaminski – Edgewater, FL  Erika “Aya” Eiffel – Suisun, CA

Timm Hines – Kent, WA   Amanda Nichols – Cheyenne, WY

Tyler Domenech – Holtwood, PA  *Jennifer Nichols – Cheyenne, WY

*Vic Wunderle – Mason City, IL  *Khatuna Lorig – Los Angeles, CA

Here are some more newspaper articles you can check out:

Woman with objects fetish marries Eiffel Tower

Erika La Tour Eiffel, 37, a former soldier who lives in San Francisco, has been in love with objects before. Her first infatuation was with Lance, a bow that helped her to become a world-class archer, she is fond of the Berlin Wall and she claims to have a physical relationship with a piece of fence she keeps in her bedroom.

But it is the Eiffel Tower she has pledged to love, honour and obey in an intimate ceremony attended by a handful of friends.

She has changed her name legally to reflect the bond.

Before returning to Paris for her first wedding anniversary, Mrs La Tour Eiffel visits the Berlin Wall, where her affection for what many Germans see as a symbol of repression leads to an uncomfortable encounter with a member of the staff at the Checkpoint Charlie museum.

She explained that she feels an affinity with the wall: “I am the Berlin Wall. Hate me, try to break me apart, but I will still be here, standing.”

‘I married the Eiffel Tower’

Imagine a world in which people seem hostile while inanimate objects appear friendly – even affectionate. Imagine dreading the touch of another human but longing for a passionate encounter with a large public structure. This is the strange world of the “objectum sexual”– a group of people, mainly women, whose intimate lives revolve around objects with which they say they share romantic and sexual love.

As a documentary film-maker passionate about exploring psychological aspects of human nature, I have made films about bigamists, domestic violence and co-dependent anorexic twins. Modern society is a never-ending source of these stories. It is still exceptional for a father to lock up his daughter for 24 years in a cellar, but scratch the surface and it seems that good personal relationships are rare. To fill their emotional needs, people are increasingly turning to a variety of substitutes: from internet virtual reality and food to… well, objects.

On first meeting, Erika La Tour Eiffel appears extraordinarily ordinary. An ex-US Army soldier, the 36-year-old lives in San Francisco. She is also a former world champion in archery – propelled to success, she believes, by her love for Lance, a bow. She now claims to be married to the Eiffel Tower, following a ceremony with friends last year in Paris, at which she promised eternal love to the iron monument and changed her name legally to reflect the bond. “There is a huge problem with being in love with a public object,” she says sadly. “The issue of intimacy – or rather lack of it – is forever present.”

She is currently married to the Berlin Mauer, which is why her name has changed to Erika Mauer.

I am really surprised about how jazz fans rank. That said, Radiohead and U2 (classic) are at the top of my faves and my favorite piece of music ever is Eroica by guess who? (Via WSJ)

I got trained up in marketing and evolved into PR and there is a convergence going on. Not just between PR and marketing but also with advertising and … SEO (yes, I said it). David Hargreaves of Bitemarks agrees that there is a strong convergence — and so does the originator, Jeremiah Owyang:

Jeremiah Owyang produced an interesting piece earlier today asking what will happen to PR firms in a recession based on research among 200 PR agencies. I must confess I am not surprised to see that a small majority of firms are predicting that PR budgets were smaller than they were in fiscal 2008, but then if you if you look at any operating cost, I would be surprised if this wasn’t pretty much tracking the downward pressure on all operating costs.

Having said that I think cost reductions fall into two categories: reducing costs because in this climate ‘you can’ and ‘you need to be seen to’ and then there are those companies that are having to reduce costs because ‘they must’. I wonder what if the PR budget reductions are greater or smaller than comparable ad budgets?

I both agree and disagree with the second point Jeremiah makes when he says that “things don’t look too rosy for the PR industry.” If you are a traditional PR agency doing the same old stuff then I would be worried. However, if you accept that the world has changed and embracing social media is neither an option or an add on to your traditional offering then the world looks rosier.

By putting social media at the centre of what we do, we have a fantastic opportunity to extend our remit more broadly into the world of online marketing. Far from being gloomy, as someone who has been involved in the PR industry for 20 years and who has always embraced technology, the future for the industry has never been more exciting.

My CEO, Mark Harrison, downloaded and installed a new 3D virtual world called Twinity, based in Berlin, that will recreate the world’s coolest cities, starting with Berlin.  Mark loves Berlin more than anything, so he tried exploring his #1 home from his #2 home, Mauritius, and here is his story, as reported in an email to his Berlin posse, I think I committed suicide in Twinity:

Mark Harrison – Mauritius – 22 February 2008, 14:05 — After over a week of trying – endless module and update loading, and countless crashes -  I finally got logged into Twinity.com, a 3D virtual world, a la Second Life, but set in renderings of real cities.  The first of these Twinity cities is Berlin, my favorite city in the world, and my summertime home (and apparently the best-mapped city in the world, as well as the home to Twinity’s headquarters).

I was incarnated as a completely physically average white guy in his late 30′s – quite accurate in many respects except for the color and quantity of hair, and the hue of my eyes.  The statistically average white guy, even in Germany – counter to stereotypes – has brown hair and brown eyes.  Average Guy Mark was dropped into existence at Hackischer Markt, which is a good place to come into the world, since it is essentially the center of the universe, if your universe consists of only Berlin, you are a wired hipster type, and you are a provincial just arrived in this big, big city and instantly lose your bearings if you can’t see the TV tower on Alexanderplatz.

I decided to walk home – to my apartment in Moabit – and take the path along the Spree river that I take on almost a daily basis in my real-life Berlin when I am there.  I walked over to Monbijou park (eventually figuring out how to run by holding down the shift key, which reduced my impatience a bit), bouncing off a few trees, but successfully oozing straight through a pissoir.  I walked over to the railing at the edge of the river, looked around, then took one more step.  To my surprise, I found can walk through railings just as effectively as I can walk through pissoirs.

I fell a couple meters and found myself standing knee-deep in the Spree – not very realistic at that point in the Spree, considering that it’s a major shipping channel, but convenient for me as an avatar in the river.  I could still walk.

I walked along the river a bit, thinking I could perhaps just walk all the way home in the river, maybe climbing up one of the stone staircases I knew should be coming up along the way, if Twinity’s mapping of Berlin is indeed that comprehensive.  After a few steps I came to what I assume was the end of the universe… a wall of beige halfway through Monbijou Park, cutting across the river, and t-ing into the riverside wall of the Boda Museum.  The end-of-the-universe wall was insurmountable, as was the vertical, stone wall bank of the river.  I didn’t really want to spend the rest of my virtual life knee-deep in a fetid central European river, so I hit the “map” button, assuming that there could well be a way to fly, or teleport or something like in Second Life.

This hubris clearly angered the gods.  I guess I should have accepted my humaness and walked back up the river looking for a ladder or something rather than thinking I might game the laws of the universe and escape the limitations of my corporal form.  My world was wiped from existence with a cold Windows dialog box announcing that Twinity was no longer responding to anything I might ask it to do.  Then Vista went looking for Answers as to the Reason for this caprice of the gods, and unfortunately came back, giving me only more questions.  Quite realistic, that part of Twinity.

A restart of the program, and a surprisingly quick login process later (considering logging in took me a week of trying and failing, then a good 10 minutes when it finally worked today), I was again granted a view of my Twinity existence.

I think I am dead.

I have only a setting sun in a golden sky, adorned with a few evening clouds and the pregnant belly of a pale, twilight three-quarter moon.  I have a 360 degree view of my heavens, and when I spin on my axis – my only remaining mobility in my gentle, but solitary, god-forsaken purgatory – the clouds tremble as if in silent horror at the eternity of loneliness I have been damned to by my unforgivable, cardinal sin of suicide (is self-murder through clumsiness officially suicide?  Anyone know a theologian?) in the murky virtual waters of my beloved Berlin.

Life is so short.  So meaningless.  So incomprehensible.

Mark Harrison
Born: February 22nd, 2009 18:52 Berlin, Germany
Died: February 22nd, 2009 19:04 Berlin, Germany
“Well, there’s always LinkedIn.”

I don’t know why I am posting this outside of the fact I love seeing what people make for their jobs.  There are a surprising number of non profit heads and directors who make way north of $250,000, and now it is interesting to see what Nina Link of  Magazine Publishers of America makes for a living, via Gawker:

Nina Link, the head of the Magazine Publishers of America, makes $740,000 a year. Even at the very good magazine freelance rate of $2/ word, you’d have to write like 100 long features per year to make that much cash. So that means that Nina Link’s per word rate is like…. $740,000, because, I forgot, she is not a magazine writer, she’s a lobbyist.

My question is: what is too much money? Lawyers, rock stars, lobbyists, CEOs, founders, entrepreneurs, sports stars, and actors really risk a lot and their success and failure can be meteoric but also fickle and the end can very often come abruptly.

Law partners have to go through a lot of hell to get where they are and lobbyists tend to spend much of their entire youth sucking up to get to where they make an easy three-quarter million per annum.

So, what’s too much?

The way I see it, these people eat what they kill and they surely and always make much more than $740,000 for their parent companies, agents, investors, etc.

Bloody great, best-in-breed, article about online PR and marketing ethics by my buddy David Gelles of the Financial Times — he is surely a golden child and new media journalist rock star… be sure to put this article in front of your boss, whether you are a PR flack or are a corporate stooge — I think this article is actually going to be printed into the pink pages of the FT on Thursday, February 12 — go pick it up and hand it to the members of the C-suite, Blogs that spin a web of deception:

A web of deception By David Gelles

An overenthusiastic em­ployee from the computer supplies maker Belkin posted an offer online last month – $0.65 for anyone willing to write a positive review of Belkin products on Amazon.com. Several people took up the offer, producing gushing appraisals of Belkin products they had never used.

After a blogger exposed the scam, news organisations jumped on the story. The offer was removed and Belkin’s president weighed in with an apology.

The incident was a public relations disaster for Belkin. It was also a prime example of “Astroturfing”, the unsavoury marketing practice of generating fake grassroots enthusiasm for a product.

Given the anonymity afforded by the internet, it is hardly surprising that deceptive marketing is on the rise. Consumers are spending more time online and companies are seeking new ways to reach them.

But now, in an effort to regulate how employees behave on the web, companies and industry groups are developing their own online codes of ethics. They want to ensure that when staff do engage with social media, they act ethically.

Last year, Coca-Cola established its own set of social media guidelines and distributed them in a memo to all employees. The policy emphasises the need for transparency and encourages employees to use common sense when discussing the brand online. “We’ve always had very diverse channels to reach consumers,” says Adam Brown (pictured), digital communications director. “Wherever they are, that’s where we go. That’s now evolved into the need for a social media policy.”

So when Mr Brown went online to promote Coca-Cola’s Super Bowl advertisements, he followed the guidelines. On Facebook, Mr Brown announced that he was a Coke employee and pointed other users to the Coke ads on YouTube. On Pittsburgh Steelers fan forums, Mr Brown, who is from Pittsburgh, named his employer and then directed fans to the Coke blog, which had an interview with Steelers’ defensive star Troy Polamalu.

Mr Brown said more deliberate engagement with online conversations was a necessity for a global company such as Coca-Cola. “We’re mentioned several thousand times a day on blogs, and there are several hundred tweets about us on Twitter,” he says. “There is a lot of conversation taking place about our brand without us. Where appropriate, we wanted to start getting involved.”

Companies began interacting with social media years ago. But only recently have those involved with the industry perceived a need to develop ethical standards. Among the first to do so was The Word of Mouth Marketing Association, an organisation for the viral and buzz marketing industry. Womma published an ethics code in 2005, emphasising honesty of relationship, opinion and identity.

Since then, many companies have used the Womma code as a blueprint for their own guidelines. “Companies are learning every day that there is a right way and a wrong way to engage with social media,” says Paul Rand, vice-president of Womma’s board and head of its ethics project. “Some companies are learning by touching the burning pot; some companies are learning from the mistakes of ­others.”

One company that “touched the burning pot” is Shelfari, a social networking site for book lovers, owned by Amazon. As it battled for market share in late 2007, it came under fire for its poor design and clunky user interface. Soon, comments appeared on more than 50 blogs attesting to Shelfari’s greatness. “I have been on Shelfari for a couple of months now and absolutely love it,” read one. “Shelfari is such a great site. I joined a couple of months ago and I have been hooked on it ever since,” read another.

But all the comments were posted by the same user, “schaufferwaffer”, who was soon exposed as a Shelfari employee. Shelfari’s chief executive admitted to the Astroturfing (he blamed it on an intern who knew no better), and promised it would never happen again.

Such behaviour is declared out of line in the “disclosure best practices toolkit”, an ethics code drawn up by the Blog Council, an organisation for heads of social media at big companies. The document advises employees and agencies to announce whom they work for when communicating with blogs or bloggers. It also encourages employees to provide a means for contacting them directly, if someone they interact with via social media wants to follow up with a two-way conversation. The toolkit also warns against using pseudonyms.

IBM was one of the first companies to develop its own social media policy. In 2005, it published its “social computing guidelines”, which insist that employees write under their own names, using the first person, and make it clear they are speaking for themselves and not on behalf of IBM. It also prohibits employees from referencing clients, partners or suppliers without their approval.

UPS is developing its own online ethics policy after recognising how damaging Astro­turfing and other online misbehaviour can be for a company’s reputation. “If one of our airplanes goes down, we have a very clear plan for getting information to the media,” says Norman Black, director of global media services. “We realised we did not have a good plan for responding to a crisis on the ­internet.”

In some countries, deceptive marketing practices are not only frowned upon but also illegal. In the UK, the law identifies “falsely representing oneself as a consumer” as a punishable offence. And in 2006, the US Federal Trade Commission issued regulations stating that word-of-mouth marketers must disclose their relationships. But in spite of these new rules there has been little enforcement of the measures.

Even without prosecution, Belkin seems to have learnt its lesson. Melody Chalaban, speaking for the company, says Belkin will soon be holding seminars to teach employees how to interact ethically with social media, and is also considering joining Womma. “We want to stress that this is an isolated incident,” says Ms Chalaban. “We don’t endorse or condone unethical practices like this.”

Side Bar: The last post: underhand tactics can end in a PR disaster

* Flogging. Fake blogs can help companies get a personal voice behind a marketing campaign – but they risk a PR disaster if they are uncovered. When Sony tried to boost sales of its PSP portable gaming unit, it started a blog supposedly by two boys who wanted PSPs for Christmas. When it was revealed as a fake, Sony apologised and took it down.

* Astroturfing. A technique that gets its name from the practice of generating fake grassroots enthusiasm. One Florida company, PayPerPost, serves as a matchmaker between companies willing to pay for good press and bloggers willing to plug products that they have never used. After receiving criticism, PayPerPost now requires bloggers to disclose that their posts are sponsored.

* Comment spamming. Flooding the comment fields of blogs with enthusiastic notes about a company, even with full disclosure, is not welcomed by web users. When a Motorola employee commented on dozens of posts on a technology blog – each comment a plug for the new Motorola Krave – bloggers responded with snide criticisms of his spamming, which duly ceased.

Copyright The Financial Times Limited 2009

One of my goals in life is to be on Boing Boing, so in many ways my dreams are coming true every day in so many ways in the form of getting a guest blog post on Boing Boing Gadgets about the ultimate gadget, my hand-made, bespoke, Randall Model 1 knife — many thanks to my buddy John Brownlee for inviting me over and for not only considering my knife a gadget but fancying it worthy of bbG:

Knife Porn: Four years waiting and one month with the Randall Model 1 Fighting Knife Posted by John Brownlee

Guest Review by Chris Abraham

After four years, I finally received my bespoke, hand-made, Randall Model 1 “All-Purpose Fighting Knife.” Unstead of tearing right into the box, I paused and filmed a nine-minute unboxing video and took some photos of the knife — knife porn.

There are two iconic fighting knives known the world over for their service in World War II. The British Sykes-Fairbairn dagger and the American style of fighting knife, inspired both by the Bowie and the American hunting knife. There was one knife, above all other, that I coveted… coveted not just because it was considered “the best” by all of the knife magazines I bought but also because it was associated with doing hard service during World War II, Korea, and Vietnam. That knife was the Randall Model #1.

Because I wanted a Randall that was as authentic to the knives that have served our military since WWII, I ordered the Randall with a carbon blade, since it predates stainless steel. There are some challenges associated with owning and using a carbon steel knife, be it in the kitchen or in the field.

First, they can — and do — rust. Since rust is normal with daily use out in the field, don’t freak out if it happens to you. A little sandpaper should do the trick if the rusting isn’t too bad.

Second, even if you spend the time and attention required to make sure your knife remains dry and sealed under a light coating of oil, there is still the issue of discoloration. Unlike stainless, carbon steel reacts with the things it touches. The acids and oils of the leather sheath could discolor the blade. Cutting meat will discolor the blade, too.

The instructions also suggest that cutting meat with the carbon blade results in discoloration, so you’re pretty much screwed unless you don’t use your Randall at all. Luckily, that’s not true. Go ahead and use it, if you’re not a strict collector — it was meant to be man-handled. Like I said above, all of the discoloration can be easily polished out of your knife. Working carbon knives always end up looking a little like they were made of silver because of the way silver tarnishes.

When I received the knife, the blade was coated with a light oil. The instructions recommend keeping the blade dry and lubricated with WD-40. After I posted the unboxing video on YouTube, someone commented that I should be really careful with the carbon steel blade and not store the knife in the leather scabbard but rather keep the blade (but not the handle) wrapped in an oil cloth.

And how does it feel? Perfectly-balanced. It’s right where it’s supposed to be: the shiny brass hilt rests the handle right on your forefinger, as it should.

There is an after-market for Randall knives if you’re unwilling to wait for 4-years for one like I did. I checked out A.G. Russell, a popular knife store, and I found the Randall Model 1 for $600. Instant gratification for Randalls generally starts at $600 for a brand new knife of someone else’s design, usually with a micarta or stag handle, and quickly tops out at thousands for a specialty, rare, or vintage knife. If you want a knife made by Bo Randall himself, it will cost: older Randall knives are worth five to fifteen times their value.

These are collectors knives, that’s for sure. If you explore the catalog, you’ll get a feel how extensively you can pimp your knife. I ordered mine plain vanilla “traditional” with the pressed-leather handle, 7″ blade, and Duralumin butt cap. Some options I could have requested were a longer or shorter blade in stainless steel. There’s an assortment of brass hilt shapes and sizes along with a myriad of handle types, including bone, tusk, horn, micarta (a mixture of layered linen and resin), or just about anything else that could be shoehorned onto the full tang.

I don’t know if I like the big and bulky sharpening stone pocket on the front of the sheath since I don’t plan on being far enough in the wilderness to not be able to come home to sharpen the knife. I did a little research and you can get just about anything you want from Randall, including getting the sheath without the stone pouch, although a replacement sheath from Randall costs almost two-hundred dollars, nearly the cost of the knife itself. If my Google searches are true, you can even get sheaths in other leathers and colors, including ostrich, alligator, and zebra. All I need to know is the length of the blade, which is a very standard and popular 7″ (8″ is also very popular).

The man behind Randall Made Knives, W.D. Bo Randall, started making hand-forged knives as a hobby back in 1937 and started selling them in the years leading up to World War II. A reporter wrote a story about Bo during the early years of the war and there was so much demand for his fighting knife, now known as the Model 1, that Bo became a full-time knife-maker. According the website, Bo Randall hand-crafted each knife no matter how much demand or the temptation to mass-produce. Throughout WWII, the knives became legendary. Ronald Reagan carried a Randall Model 1 knife.

And, if you ever have a chance to buy a used Randall on the cheap, don’t reject a knife just because it’s rusted or the sheath is rotted. Some oil, a fine grit emery cloth or steel wool, a little polish, and you’re good to go. These knives were made for duty so there isn’t a lot you can do to “kill” the knife. And, if the knife looks a little far gone, don’t worry, you can probably find a knife-maker in your area who can fix it up by reshaping the blade and restoring the bits and pieces. If you want to restore your Randall in style, to this day you can buy replacement sheaths from the company, made to order. Additionally, you can send your Randall home to Orlando, Florida, where it was born, they can do a lovely job restoring it.

Why did I buy a knife like this? Well, that’s an odd thing, and the reason dates back over 24 years to when I was a strapping teen. When I was in high school, during the mid- to late-80s, I was a teenage commando. I went to an all-boys Catholic school in Hawaii called Saint Louis School and we had an JROTC program that I joined because it was either that, PE, or band (shudder). After joining JROTC I joined the Ranger club. On the surface the Rangers were a bunch of boys who did calisthenics and ran around campus and were entitled to wear black berets and bloused jump boots on the days every member of JROTC was required to skulk around school in Class-A Army uniforms. Still, that wasn’t all the Rangers did. We also spent weekends playing the part of Opposition Forces (OPFOR) for Hawaii’s National Guard and Army Reserve. As part of all that, we were issued camouflaged fatigues (BDUs), ALICE packs, web gear, and M-16s. Yes, real M-16s with real banana clips and real brass casings filled with real smokeless gunpowder, but without bullets with a blank-firing adaptor.

I was motivated and dedicated. I became obsessed with everything military. I bought copies of SOF and shopped at Army surplus stores. We all prized authentic gear and many of us bought Vietnam-era slash-pocket OD fatigues and Ka-Bar knives. I was obsessed with knives and started a collection.

That was 1984. I didn’t end up ordering my own Randall until twenty-years later while I was supposed to be working for Pete Snyder at New Media Strategies during the Summer of 2004. I put down $50 as a down payment, clicked “order” and then obsessed about it for nearly five years! I paid off the balance of $264.00 about a year ago. It was supposed to be delivered in June but I received a letter letting me know that delivery had been delayed until October.

Why does a knife take four-years? One of the reasons my order, #57224, order date September 2004, took so long is because I ordered my knife in a time of war. Randall Made Knives is a purveyor of hunting knives during peacetime; however, during a time of war, most of their capacity is spent on providing for our troops. According to their FAQ, “spare time and space is devoted to filling military knife orders for our active military customers. I think that’s fair, since the Model 1 was a military knife from the very beginning.

It was finally ready for delivery while I was in Berlin so I had the knife FedExed to my mom’s house in Arlington, Virginia, and counted the days until I returned home for Christmas. I arrived on Christmas eve but kept it in my pants until Christmas day, when I took this unboxing video and these photos.

After four years, the knife more than lives up to my expectations, especially since there were a couple of cool surprises that I didn’t know about, including red, white, and blue patriotic spacers between the hilt and the pressed-leather handle and between the handle and the Duralumin butt cap — I’ll photograph it with my Nokia N95 camera phone. To be frank, I have been waiting for this Randall Model #1 for twenty-four-years, since I fell in love with this perfect thing back when I was a Freshman in high school.

Worth the wait? Yes! Any hype associated with the entire experience? No, I don’t think so at all. It couldn’t be better-crafted or more beautiful. I am no longer a knife collector — or an anything collector — so the only two remaining knives in my collection is a Cold Steel Tanto I got back in 1983 and this Randall Model 1.

Randall Made Knife Unboxing Porn

Randall Knife Unboxing Pics [Flickr]

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When not waiting four years for a knife to be hand crafted for him, drunkenly stumbling away with me from a disreputable Berlin pub, or being one of the sweetest and smartest guys it is my pleasure to know, Chris Abraham runs a crackerjack conversational marketing firm, Abraham Harrison. This technically makes him a scumbag, but I love him anyway.

I received an invitation from Corbett Santana to attend what sounds like a super-cool inauguration party — if you happen to be celebrating in Berlin, Germany!  I will be in DC for the inauguration but I thought I would pass this on.

Barack Obama Inaugration Celebration/Party in GOYA
Goya, Nollendorfplaz 5 in Berlin
January 20th 2009
Come celebrate with “US”
LIVE from Washington D.C. on BIG screen!
The Inauguration Ceremony of BARACK OBAMA.

• 16:30 Doors open and we will project the entire Ceremony on a large screen in GOYA.
• 16:00 The ceremony starts at and ends at 20:00 (according to a press release from Washington D.C.)
• 20:00 Guest speakers from the different American abroad organizations. There is the POSSIBILITY the Governor Mayor of Berlin will make an appearance. THIS IS NOT CONFIRMED AT THE MOMENT!
• 21:00 Live Music from FOLKADELIC who played at the BABYLON Theater Election Party
• 22:30 DJ “Daddy-O” after playing Funky Soul Classics.

Tickets:  10-,€ & 6-,€ after 21:00
To reserve a ticket send a message to chair@demsinberlin.de
This is a by-partisan event all are welcomed!
There will be an after party at SURPRISE Club & Disco for those of you who find GOYA too expensive & stuffy. A shuttle vehicle will be available to transport you door to door from 22:00 till 12:00. Entrance and shuttle ride is free when you have a ticket for the Event in GOYA.

I have been pinned by the coverage of #leweb down in Paris on Twitter, especially during all of the excitement as Dr. Helen Fisher talked about sex, attraction, and falling in love. So, since everyone else has been taking the Chemistry love personality test, I thought I would do the same. So, with no further ado, here’s my results. Is any of is surprising? You, too, can take the test for free (and sign up, as a result) over at Chemistry.com

Hello Chris,

Welcome to your Chemistry Profile. The following analysis is based on your responses to our questionnaire. Your results identify your major and minor personality types, as well as the types with whom you’re likely to be compatible.

Your Major and Minor Personality Types Characteristics of all four personality types can be found within each of us, but there is almost always one personality type that is dominant. We call this the major personality type. The Chemistry Profile also identifies your minor or secondary personality type. You exhibit some aspects of this personality type, though not to the same degree as with your major type.

• Your major personality type = Director
• Your minor personality type = Negotiator

You are a DIRECTOR/negotiator You are an innovator. You are an inventive, thorough, independent thinker with a deep interest in how the world works. You quickly grasp patterns and relationships. And when you focus on a particular work-related or social puzzle, you often come up with novel theories and ideas about it. You have a strong need to achieve. You want to make an impact on the world. And with your aptitude for theoretical thinking, your investigative rigor, your logic and your determination, you are likely to win the honors your hard work deserves. You are a complex person, outwardly assertive, logical and intellectual, yet likely to see the many sides of an issue, feel deep sympathy for others and enjoy the spiritual as well as the concrete. You can be friendly, insightful and eager to please. These attributes, combined with your love of challenges and knowledge, make you an exciting, and at times, very sensitive companion.

How your personality breaks out

Explorer – 23% of your personality - Known for high energy, high creativity and spontaneity. Seeks novelty, risk and pleasure. Intellectually curious and not easily swayed by opinion.

Builder – 19% of your personality - Usually very popular. Deep attachment to home and family. Calm demeanor and low anxiety. Often consistent, loyal and protective.

Negotiator – 27% of your personality – Excels at seeing the big picture, long-term planning and consensus building. An intuitive thinker who is flexible, verbal and socially skilled. Imaginative, empathetic and nurturing.

Director – 29% of your personality – Daring, original, direct and inventive. A non-conformist. Skilled at abstract thinking and short-term planning. Often assertive and quite competitive. Tough-minded and efficient.

Dating Tips for Directors

• Not everyone is as direct, focused and “to the point” as you are. So make sure you give potential partners the time they need to express themselves. You will probably be surprised at their logic and intellect.

• Your competitive spirit is useful in the office but it doesn’t work in dating–unless you find someone who likes to challenge and debate. When that happens, go for it. Otherwise, try to listen actively.

• Aim at investigating some of the “grey areas” during an invigorating conversation. Much of the world does not see in black and white.

• Separate work from play. Try to get your assignments out of your mind while on a date—so you can truly enjoy your “down time” with a partner.

• Make sure to schedule enough time to get to know someone.

• Try looking directly into the eyes of your partner during a conversation; many people find this “anchoring gaze” a powerful form of intimacy.

Matt and I rushed this post tonight. I received the email three hours ago, IMed Matt, and we got it out now. I love blogging for this. I hope you enjoy this new post, Pepsi Apologized to Me For Its Suicide Ads:

Pepsi Apologized to Me For Its Suicide Ads
A close-up look at how the marketer is handling fallout from its controversial German ads

This week, PepsiCo got into hot water with more than a few folks after some suicide-themed ads many found offensive were brought to light. Here’s how they’re using social media to apologize to consumers—including me.

I received an email from B. Bonin Bough of PepsiCo, @boughb on Twitter, responding to my tweet about the recent post that Matt Creamer wrote a couple days ago, “Pepsi Opens a Vein of Controversy With New Suicide-Themed Ads”, about some ads that were run here in Germany in a lifestyle mag—ads Pepsi says it won’t run again after they received heavy criticism all over the web.

I’ll excerpt the first part of the email from Mr. Bough, who holds the title of director-social and emerging media and is based at Pepsi’s Purchase, N.Y. campus:

I saw your tweet and I just wanted to make sure I responded personally. We agree this creative is totally inappropriate; we apologize and please know it won’t run again. Also, thanks for the feedback and the Digg, it is important to discuss these types of issues.

My best friend committed suicide and this is a topic very close to my heart. So again I offer my deepest apologies.

Feel free to follow-up via twitter to me – @boughb or Huw – @huwgilbert or respond to this email.

Thanks, Bonin

I know you all think I am going to mock Bonin, but I won’t. I think this was a very bold and risky maneuver and worthy of praise rather than a tarring and feathering. And his outreach to me, a nobody, was accomplished within two days. When I replied to Bonin, asking if I might be allowed to post his email, he replied back that I could post his email but to try to “treat it kindly.” I hope I am.

I don’t think that Bonin knew that I blog for AdAge or that I know a bit about how the marketer is surprised about how well-traveled the ads have been. The old we-didn’t-think-anyone-here-would-see-it approach. Well, that’s the Internet for you. Someone passed along the scans of the PepsiMax ad, “One is a Very Very Lonely Calorie,” to the alert gang here at AdAge.

Within two days of tweeting, I received a note from @tweetmeme, a sure sign that my tweet had gone memetic (and that I had played at least a bit part in the mad traffic to the AdAge post as well as the resulting 40 comments.)

Here’s how fast and furious social media works. The article was posted on AdAge at 4:36 PM EST on December 2nd. I read it and Tweeted at 6:16 PM EST the same day. And then I received said email from Mr. Bough at 5:21 PM on December 4. The lesson here is that social media has eyes everywhere and the network to make sure that advertisers can no longer hide stuff in niche markets. There is a word in intelligence about just this thing, and it relates to messaging and propaganda: backwash. Social media makes backwash inevitable. Here’s another one from Intelligence: blowback. Backwash leads to blowback.

There’s no way to isolate this kind of advertisement. And there is an inverse proportion between how badly you want your ad to remain niche and the sensationalism surrounding its discovery. It’s a really obvious point, but one still clearly worth stating: The internet makes it impossible for any marketer to control which geographies and demographics see any particular communication. You can’t even really control what media it appears in. Think you’re creating an edgy print ad that will only be seen in a German magazine? Think again. In the blink of an eye, your ad is on the web. You know, the world wide one. And all kinds of people are pissed off.

What I like about what “Bough, Bonin {PEP}” did here is that he responded almost immediately, rather personally, and opened himself up to us social media mavens. Bravo! Full marks. Another thing I like about his apology is that there is a very good chance that I am being played, that Mr. Bough is playing reverse psychology on me. Yes, he readily approved my posting of this message when I asked, which leads me to believe that the very act of clicking on the post right now is just going to help PepsiCo with an amazingly-savvy viral marketing campaign for PepsiMax.