I met the lovely Andrea Hill at PodCampOhio.  Andrea is a runner, a Canadian, a new media maven, and a senior developer at Resource Interactive.  She also hung out with me part of the day and over lunch and I was charmed — Andrea is lovely.  I would like to share her experience at PodCampOhio, PodCamp Ohio Networking:

PodCamp Ohio Networking

As always, some of the best outcomes from an event are a result of the interaction with other delegates. There is something special about a group of actively engaged, newly informed individuals. Going into PodCamp Ohio, I hadn’t been sure about the people I would meet. I wasn’t a podcaster, would I have things to share with my fellow attendees?

As it turned out, I was incredibly engaged and impressed with the folks I met. There were folks from a wide background, all united by their passion for social media. The entire conference was very engaging and social, including the automated podOhioCheckIn twitter feed. As I mentioned, the first session I attended was incredibly interactive, with the attendees offering their own best practices and advice. I enjoyed putting faces to screen names, and realized that there is an entire community of like-minded individuals here in town I should get to know!

As someone who has worked on fostering online community for a long time, I have weathered all the comments about how technology throws up walls between people. Rather than interacting directly, we’re sitting in rooms on our laptops or mobile phones. However, how we do we explain the coming together of this group of technophiles? One fellow had driven from Nashville, another is based in Berlin and D.C. The Internet is the communication medium that allowed these individuals to find this information, and brought us together to share and network.

While the day passed quickly and I know I didn’t meet as many people as I could have, I have confidence that we will all leverage these online tools to continue to communicate and share our thoughts and insights from PodCamp Ohio moving forward.

Before I start, check out Sean Connery’s costume (left). Zardoz is the most important movie nobody (I know) has seen. Forget that there is a lot of nakedness and topless women; or, that you get to see a super-buff, 1974-era, Sean Connery running around for more than two hours in a pair of underwear; this is an important movie or utopia gone terribly distopian.

Zardoz is written and played out like a Broadway musical, with lithe dancer-actors, it is presented like a play. This is not a sophisticated movie but it will surely make you think. I would say that Zardoz is both brilliant and campy; insightful and kitchy, and brutal and actually very good at dealing with the concept of balance: in order to grow as men and as a society, one cannot — must not — merely separate physically from poverty, ignorance, sickness, and death; but, rather, integrate, integrate, integrate — or perish. Bravo! See it.

The quote that is most popular from the movie comes from the first scene. God Zardoz says,

“The gun is good. The penis is evil. The penis shoots seeds, and makes new life to poison the earth with a plague of men, as once it was. But the gun shoots death, and purifies the earth of the filth of brutals. Go forth… and kill!”

“In this cult favorite from John Boorman (Beyond Rangoon), 23rd century society is split into two castes — the overly civilized Eternals and the barely civilized Brutals — one of which is constantly controlling the other. The Brutals worship a huge stone figure known as Zardoz. When Zed (Sean Connery) begins to question the authenticity of this god, the film is able to offer some pointed commentary on class structure and religion.” Via Zardoz/60020833?trkid=14″>Netflix

“Zardoz BY ROGER EBERT / January 1, 1974

John Boorman’s ZARDOZ is a genuinely quirky movie, a trip into a future that seems ruled by perpetually stoned set decorators. It’s set in an Ireland of 2293 that looks exactly like the Ireland of today, until you get inside the Vortex. And then suddenly everything is shimmering gowns and futuristic throne rooms and beautiful young people who glide around at an endless debutante ball.

These are the Immortals. They will never die. They cannot. Every time they try to, their bodies are relentlessly restored by the all-knowing mystical computer mind that runs the Vortex. There’s a catch, though: They can’t die but they can grow old, and for infractions, they’re sentenced to age a few years. If they don’t watch themselves, they might wind up as Immortal Seniles.

Outside the Vortex, a barbaric civilization survives. Slaves till the land and gather the crops, ruled over by sadistic masters who sometimes gallop around killing off the surplus population. One of the barbarians is Zed, played by Sean Connery as a cross between Tarzan and Prince Valiant. But one day, Zed (like Lord Greystoke, come to think of it) finds a child’s alphabet book. He teaches himself to read and then fanatically devours the contents of whole libraries (like Thomas Wolfe, come to think of it). Eventually he comes upon The Wizard of Oz and, in a moment of blinding insight, sees through the whole joke of his world’s social structure.
Zed has himself smuggled aboard the giant floating head of Zardoz, which rules hinterlands, and finds himself inside the Vortex. Here he is an object of great interest, because the Immortals, you see, having lost the ability to die have also lost the drive to procreate and are doomed to an eternity of detumescence. Zed labors with no such difficulty.

The movie is an exercise in self-indulgence (if often an interesting one) by Boorman, who more or less had carte blanche to do a personal project after his immensely successful DELIVERANCE. Boorman seems fascinated by stories which are disconnected from the ordinary realist assumptions of most movies; his LEO THE LAST (1970) gave us Marcello Mastroianni as the last of the big-time decadents, living in a mansion at the end of a deserted street in an eerie London.

Boorman puts a lot of heavy concepts into ZARDOZ, but seems uncertain whether he takes them seriously himself. There are sight gags (the attempt to turn on Connery with futuristic pornography provides the best) , there are group seances that seem lifted bodily from pajama parties, there is no end of special visual effects (every optical printer in England must have been busy for weeks), and at the end there’s a combination shoot-out and mercy-killing spree that is at once ridiculous, depraved and low camp.

Sean Connery wanders through all of this with a slightly bemused expression on his face. He begins as a barbarian given to distrust and childish impulses, but after he gathers all knowledge to himself (the movie is full of phrases like “gathers all knowledge to himself”), he turns into a sort of body-building Einstein who sees into the center of the Vortex, deciphers the wisdom of the crystal, stimulates the Apathetics (that’s another social class I forgot to mention), makes love with a good-looking Immortal dame (she regains the knack) and finally turns into a fossil while the sound track milks Beethoven’s 7th for all it’s worth.

I remember standing in the rain once outside a theater that was playing LAST YEAR AT MARIENBAD. Now there was a movie so complex and personal no one claimed to be able to understand itÑno, not even Time magazine. The people coming out from the previous show were shaking their heads and admitting that they, too, didn’t have a clue. And then it was our turn to go in and be mystified.

Every once in a while, a movie like that comes along; a movie you’ve got to see so that you, too, can be in the dark about it. In the movie’s own terms, this much can be said for sure: It may not make you an Apathetic, but it will certainly age you by two hours.”

“Zardoz Review by Scott Weinberg

If your idea of perfect science fiction consists of space battles and droids, you’re probably best advised to steer clear of John Boorman’s ultra-trippy cult classic Zardoz. If, however, you can enjoy an ironic and entertaining fantasy mind-bender, then this one might be right up your alley. While overlooked by general audiences, Zardoz is one of the most feverishly adored cult movies ever. And while the movie certainly looks outdated and even silly at times, the deeply intelligent and thought-provoking issues under the surface challenge and entertain audiences.

The year is 2293 and most of humanity has devolved into mindless ‘Brutals.’ Their god Zardoz visits these savages periodically, instructing them to hunt down and kill any human ‘Breeders’ they come across. This is because “the penis is evil,” and humanity deserves to be wiped out. Zardoz appears to his violent followers as a giant flying stone head that spits out rifles and ammo, along with his murderous decrees. Zed (Sean Connery), one of the Brutals, stows away aboard the massive stone head, which takes him to ‘the Vortex.’ The denizens of the Vortex are a race of genetically superior, immortal beings that treat one another pretty rotten and long for death. When Zed climbs out of that giant head and starts poking around, things get really screwy.

Zardoz is packed to the gills with high-minded concepts. Take the ‘apathetics.’ These are immortals who have become so bored and disassociated during their eternal lives, that they are breathing, blank zombies. Another faction of the immortals is the ‘Renegades,’ who have become irretrievably insane. These elderly creatures are dumped off in an out-of-the-way building and forgotten. Zardoz is a movie with a lot to say about the ills of society.

Since it was made in 1973, it’s no surprise that Zardoz looks dated and even downright absurd. There are more than a few costumes and set designs that may have you rolling your eyes in disbelief, but it’s important to watch a movie like this with a sense of maturity. It may be difficult to take seriously dialogue like “The penis is evil,” but a willing (and preferably enthusiastic) suspension of disbelief is essential. Yes, that’s Connery as Zed, running around in what looks like a giant red diaper… and yes, there is a scene in which Zed is forced to achieve an erection while dozens of fascinated immortals stare on. But with the plethora of challenging and satisfying ideas being tossed around in Zardoz, it’s a tough movie to dislike.

It’s a testament to writer/director John Boorman that this movie ever saw the light of day. Zardoz was obviously a labour of love for him, and to this day Connery still lists this movie as one of his favourites. If you’re a fan of science fiction in the vein of 2001: A Space Odyssey or Blade Runner, I would recommend Zardoz. While not as ‘polished’ as those other films, it deserves a place in anyone’s sci-fi collection.”

Plot Summary

* Genres: Fantasy, Sci-Fi
* Tagline: Beyond 1984, Beyond 2001, Beyond Love, Beyond Death
* Plot Outline In the far future, a savage trained only to kill finds a way into the community of bored immortals that alone preserves humanity’s achievements.
* Plot Synopsis: In the distant future Earth is divided into two camps, the barely civilized group and the overly civilized one with mental powers. A plague is attacking the second group after which it’s members cease to have any interest in life and become nearly catatonic. When Sean Connery one of the barbarians, crosses over, the tenuous balance in their world is threatened.
* Plot Keywords: Blindness, Bizarre, Book, Mutant Human, Crystal Ball, Head, Harvest, Mutation, Flying Head, Ring, Reverse Footage, Horseback Riding

- Actors: Sean Connery, Charlotte Rampling, Sara Kestelman, John Alderton, Sally Anne Newton, See more
- Directors: John Boorman
- Format: Anamorphic, Closed-captioned, Color, DVD-Video, Subtitled, Widescreen, NTSC
- Language: English, French
- Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
- Aspect Ratio: 2.35:1
- Number of discs: 1
- Rating R
- Studio: 20th Century Fox
- DVD Release Date: March 27, 2001
- Run Time: 106 minutes
- Average Customer Review: based on 113 reviews. (Write a review.)
- DVD Features:

* Available Subtitles: English, Spanish
* Available Audio Tracks: English (Dolby Digital 3.0), English (Dolby Digital 2.0 Stereo), French (Dolby Digital 2.0 Mono)
* Commentary by director John Boorman
* Still photo gallery
* Concept Art and Pressbook Galleries

- From IMDb: Quotes & Trivia
- ASIN: B000059HAE
- Amazon.com Sales Rank: #2,570 in DVD (See Top Sellers in DVD)

Nominations

* BAFTA Awards: BAFTA Film Award for Best Cinematography
* Hugo Awards: Hugo for Best Dramatic Presentation

Trivia

* The scene where Zed (
* DIRCAMEO:(
* To help keep the movie cost down,
* Zed’s revolver is a Webley in 455 caliber.
* The exterior shots at the very opening of the movie were taken right next to director
* To make the shots of the stone head move into the mouth accurately, the camera was placed at the mouth and tracked backwards, and the film reversed in the lab.
*
* The government initially refused to allow the production team to import the guns for the movie into Ireland because of terrorist attacks occurring at the time.
* Radio spots (available on the DVD) were narrated by
* According to John Boorman, Sean Connery found it incredibly difficult to get work when he abandoned the James Bond role a second time after Diamonds are Forever. Thus, Boorman was able to hire Connery very cheaply for this project.

Goofs

* When mortality comes to the vortex, several “dead” characters can be seen moving.
* When the exterminators on horseback are killing the brutals, tire tracks can be seen on the wet beach sand.
* Early in the film, when the weapons are spewed out of the floating head’s mouth, a crewmember’s arm can be seen throwing them.
* About three minutes into the movie, when the floating head is in the clouds, part of a car can be seen in the top right corner of the screen.
* In the scene where Zed discovers the floating book, you can clearly see the strings suspending it in midair.

Movie Connections

* Remade as: Planet B: Mask Under Mask
* References: Planet of the Apes, 2001: A Space Odyssey
* Referenced in: Excalibur, Dark City, The Big Tease, Wonder Boys, Empire of Dreams: The Story of the ‘Star Wars’ Trilogy
* Featured in: To the Galaxy and Beyond with Mark Hamill, The Fly Papers: The Buzz on Hollywood’s Scariest Insect

Quotes

* Arthur: It was I! I bred you! I led you!
Zed: And I have looked into the face of the force which put the idea in your head. You are bred and led yourself.
* Friend: We’ve all been used…
Arthur Frayn: …and reused…
Friend: …and abused…
Arthur Frayn: …and amused!
* Zardoz: The gun is good.
Exterminators: The gun is good.
Zardoz: The penis is evil. The penis shoots seeds, and makes new life, and poisons the earth with a plague of men, as once it was. But the gun shoots death, and purifies the earth of the filth of brutals. Go forth and kill!
* Zed: Stay behind my aura!
* Consuella: The brutal is now in fourth hour of unconscious sleep. It’s astonishing that Homo Sapiens spends so much time in this vulnerable condition, at the mercy of its enemies.
* Zed: I want the truth.
May: You must give the truth, if you wish to receive it.
Zed: I’m ready.
May: It’ll burn you!
Zed: Then burn me.
* The Tabernacle: Caution: You are approaching the periphery shield of Vortex Four. Caution: You are approaching the periphery shield of Vortex Four.
* Zardoz: Zardoz is pleased.
* The Tabernacle: Vote, please. Vote, please.
* The Tabernacle: I cannot give information which may threaten my own security.
* [watching his memory-scan video of hunting down Brutals] Zed: I love to see them running. I love the moments of their deaths – when I am one with Zardoz.
* [first lines]
Arthur Frayn: I am Arthur Frayn, and I am Zardoz. I have lived 300 years, and long to die. But death is no longer possible, I am immortal. I present now my story – full of mystery and intrigue. Rich in irony, and most satirical. It is set deep within a possible future, so none of these events have yet occurred. But they may! Be warned, lest you end as I. In this tale I am a fake god by occupation, and a magician by inclination. Merlin is my hero! I am the puppet master. I manipulate many of the characters and events you will see. But I am invented too for your entertainment and amusement. And you, poor creatures, who conjured you out of the clay? Is God in showbusiness too?
* [to Zed] Consuella: I have hunted you so long, I have become you.
* George Saden: I think what I think. I hate you all. I hate you all. I hate you all. Including me…
* [about to Liberate Consuela] Zed: All that I am is gone.
* [Zed breaks the heart of the crystal] The Tabernacle: You have destroyed us. You are alone.
* Consuella: Penile erection was one of the many unsolved evolutionary mysteries surrounding sexuality. Every society had an elaborate subculture devoted to erotic stimulation. But nobody could quite determine how this…
[Consuella points to a diagram of a male penis and scrotum]
Consuella: becomes this.
[Consuella points to a diagram of an erect penis and scrotum]
Consuella: Of course, we all know the physical process involved, but not the link between stimulus and response. There seems to be a correlation with violence, with fear. Many hanged men died with an erection. You are all more or less aware of our intensive researches into this subject. Sexuality declined probably because we no longer needed to procreate. Eternals soon discovered that erection was impossible to achieve. And we are no longer victims of this violent, convulsive act which so debased women and betrayed men. This brutal
[Sean Connery]
Consuella: , like other primates living unselfconscious lives, is capable of spontaneous and reflexive erection. As part of May’s studies of this creature, we’re trying to find, once again, the link between erotic stimulation and erection. This experiment will measure autoerotic stimulation of the cortex, leading to erection.
* The Tabernacle: Sleep was necessary for man when his waking and unconscious lives were separated. As Eternals achieved total consciousness, sleep became obsolete and Second Level meditation took its place.
* Zed: What is it you want?
Friend: Sweet death. Oblivion.
Zed: For yourself, or for the whole Vortex?
Friend: For Everybody. An end to the human race. It has plagued this pretty planet for far too long.
Zed: You stink of despair. Fight back! Fight for death, if that’s what you want.
Friend: I thought at first you were the one to help. But it’s hopeless. All my powers have gone.
* May: Friend, I cannot sanction this violence and destruction.
Friend: It’s too late, May. There’s no going back.
May: Don’t destroy the Vortex! Let us renew it. A better breed could prosper here. Given time…
Friend: Time? Wasn’t eternity enough?
Zed: This place is against life. It must die.
May: I have my followers. Inseminate us all, and we’ll teach you all we know. Give you all we have. Perhaps you can break the Tabernacle. Or be broken.
Friend: An end to eternity.
May: A higher form.
Zed: Revenge.
* [to Consuela] Zed: Can you unknow what you know of me?”

Zardoz from Wikipedia

Zardoz is a 1974 science fiction film directed by John Boorman and starring Sean Connery in one of his first post-James Bond roles. The film contains a mix of mythology, a bizarre, sprawling plot filled with twists and incongruities, and wide-ranging satirical and allegorical stabs. Filmed on a small budget of US$1 million, Zardoz‘s mixture of cerebral, philosophical sci-fi was in complete contrast to Boorman’s previous film, the brutal thriller Deliverance. The film was shot by cinematographer Geoffrey Unsworth. An attempt to market the film to the post-2001: A Space Odyssey audience was unsuccessful, although the film has since developed a cult following.

Plot

In a future post-apocalypse Earth (2293), the human population is divided into the immortal “Eternals” and mortal “Brutals”. The Brutals live in a dark-ages wasteland. The Eternals, who live apart in various “Vortices” (singular “Vortex”), hidden bastions of civilization, lead a luxurious but aimless existence. The contrast between the two groups is stark. In general, calamity after calamity has reduced life on much of the Earth to dire subsistence levels. The distant Eternals are unknown to most people. The only contact between the groups is through a religious warrior class called the “Exterminators”, who kill and terrorize other Brutals at the orders of a huge flying stone head called Zardoz. The stone head supplies them with weapons and ideology in exchange for the food they collect.

Zed (Connery), an Exterminator, hides aboard Zardoz during one trip, “killing” its Eternal operator-creator, Arthur Frayn (Niall Buggy). Arriving in the Vortex as a stowaway, Zed meets two Eternals — Consuella (Charlotte Rampling) and May (Sara Kestelman). They possess psychic powers, and make Zed a prisoner of the community of decadent effetes in order to study him. Zed is put to work as a physical laborer under the direction of subversive troublemaker called Friend (John Alderton).

Over time Zed learns the nature of the Vortex. The Eternals are overseen and protected from death by an AI called the Tabernacle. Through their vastly extended lifespan the Eternals have grown bored, corrupt, and impotent. They spend days stewarding the vast knowledge of humanity while doing little themselves besides participating in bizarre rituals and mass meditations navel gazing. As they never die and the passage of time is largely meaningless as a result, violating the complex set of social rules, and thereby going “Renegade”, results in artificial aging. An Eternal thus aged will remain as the feeble elderly for the rest of time. More recently some have fallen into catatonia through an odd mental illness, forming a new social strata the Eternals call the “Apathetics”.

As the story progresses, it becomes clear that Zed is not quite the “brutal” the Eternals believe him to be. He very quickly divines the nature of the Vortex and its problems, and starts to play an increasingly proactive role among the Eternals. The backstory develops to reveal that Zed was aware of the true nature of Zardoz, having been led to an old book, The Wonderful Wizard of Oz; the origin of the name Zardoz (Wizard of Oz). After revealing that Frayn had led him to the book and taught him to read, the story is completed; Zed is the ultimate creation of Frayn’s long-running experiment in creative eugenics, using the Exterminator class to control the Brutals with the aim of breeding a superman to save humanity from its dead-end status quo. He had led Zed to understand the nature of Zardoz, hoping he would use it to infiltrate the Vortex.

The Eternals discover the deceit and “age” Friend, while attempting to control Zed. But Zed is actually superior in intelligence to the eternals, and is eventually able to withstand their psychic powers. He destroys the Tabernacle, after which the Vortex is invaded by other Exterminators who bring death to the majority of Eternals, typically with their blessing, given the novelty of the events. A few Eternals escape to make a new life outside the Vortex among the Brutals, carrying the knowledge of civilization. The allegorical ending shows Zed and Consuella producing a child, growing old and dying naturally, whilst the sound of the second movement of Beethoven’s Seventh Symphony swells in the soundtrack.
Spoilers end here.

History

Zardoz is is notable for being the first time a search engine (or a precursor) is shown in a film, retrieving visual images from a database, years before the personal computer was invented. Arthur Frayne is shown instructing the computer to search for specific images of Cars in the way that we associate with search engines, except with voice recognition software .

Production

In the DVD commentary Boorman repeatedly complains about the low budget of the film. Nevertheless he attempted to fill it with a sort of concept art. The Exterminators hunt down the Brutals while wearing large red paper mache facemasks, loincloths and matching bandoliers. The Brutals are instead dressed almost universally in sport coats and jeans, except for young women, who are dressed in “caveman” garb. If this were not enough, in one scene Zed escapes from the Eternals by dressing in a wedding gown. The head of Zardoz, arguably the most important set in terms of plot development, is clearly made of painted paper mache. Most of the sets in the Vortex are equally low quality, variously consisting of large inflated plastic sheets, “olde English” villages, or pastel decorated sets – the Tabernacle is simply a room filled with mirrors.

Reception

In 2004 the magazine Total Film described Connery’s costume (consisting of a ponytail wig, leather knee boots, and a loincloth which bears a strong resemblance to a giant orange nappy or diaper) as the number 1 “dumbest decision in movie history”.

References in popular culture

This article contains a trivia section.
Content in this section should be integrated into other appropriate areas of the article or removed, and the trivia section removed.

* The DC Comics character Vartox is a near-carbon copy of Zed. He has an exact replica of Zed’s clothing, brown hair, and receding hairline. The character’s name is even close to sounding like the “Vortex” of the film.
* The video game Time Bandit, which has several science fiction references, mentions the “spirits of Zardoz“.[citation needed]
* The video for “Dreams” by the rock band TV on the Radio features a huge stone head like the one in “Zardoz” that disintegrates at the video’s end.
* The webcomic Questionable Content referred to Zardoz multiple times in comic number 830].
* Saul was dressed as Zed in an episode of Saul of the Mole Men, “Fun King Johnny”, when he was on trial by combat.

Quotes

If the content can be changed to be more encyclopedic rather than just a list of quotes, please do so and remove this message. Otherwise, you can help by formatting it per the Wikiquote guidelines in preparation for the duplication.

* Zardoz: The gun is good. The penis is evil. The penis shoots seeds, and makes new life to poison the earth with a plague of men, as once it was. But the gun shoots death, and purifies the earth of the filth of brutals. Go forth… and kill! [Zardoz proceeds to vomit a torrent of rifles and ammunition for his followers to use.]