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><channel><title>Chris Abraham &#187; Programming</title> <atom:link href="http://chrisabraham.com/tag/programming/feed/" rel="self" type="application/rss+xml" /><link>http://chrisabraham.com</link> <description>Because the Medium is the Message</description> <lastBuildDate>Sun, 27 May 2012 01:18:33 +0000</lastBuildDate> <language>en</language> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.3.2</generator> <xhtml:meta xmlns:xhtml="http://www.w3.org/1999/xhtml" name="robots" content="noindex" /> <item><title>The Black on Black on Black Bourge-Mobile</title><link>http://chrisabraham.com/2010/11/05/the-black-on-black-on-black-bourge-mobile/</link> <comments>http://chrisabraham.com/2010/11/05/the-black-on-black-on-black-bourge-mobile/#comments</comments> <pubDate>Fri, 05 Nov 2010 05:55:50 +0000</pubDate> <dc:creator>Chris Abraham</dc:creator> <category><![CDATA[Chris Abraham]]></category> <category><![CDATA[blacklight]]></category> <category><![CDATA[Ethnicity]]></category> <category><![CDATA[Languages]]></category> <category><![CDATA[Lisp]]></category> <category><![CDATA[Programming]]></category> <category><![CDATA[Scheme]]></category> <category><![CDATA[Trick or Treat]]></category> <category><![CDATA[Ultraviolet]]></category><guid
isPermaLink="false"></guid> <description><![CDATA[&#8220;It’s the wild colour scheme that freaks me. I mean, when you try an’ operate one of these weird black controls which are labelled in black on a black background, a small black light lights up black to tell you you’ve done it. What is this? Some kind of intergalactic hyper-hearse?&#8221;]]></description> <content:encoded><![CDATA[<p></p><div
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border="0" style="border:0;" src="//assets.pinterest.com/images/PinExt.png" title="Pin It" alt="PinExt The Black on Black on Black Bourge Mobile" /></a></div><p>&#8220;It’s the wild colour scheme that freaks me. I mean, when you try an’ operate one of these weird black controls which are labelled in black on a black background, a small black light lights up black to tell you you’ve done it. What is this? Some kind of intergalactic hyper-hearse?&#8221;</p><p
style="text-align: center;"><a
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isPermaLink="false">http://chrisabraham.com/?p=7823</guid> <description><![CDATA[Back when I was a young Turk, I played a lot with a series of blog platforms and content-management systems (CMS) &#8212; early PHP/MySQL &#8220;LAMP&#8221; &#8212; called Nukes.  There was PHPNuke and my favorite, PostNuke.   I used PostNuke for my personal web site and for early variants of Memes.org.  Well, it&#8217;s been a long [...]]]></description> <content:encoded><![CDATA[<p></p><div
align="right" style="float: right; padding: 0px 0px 5px 5px;"><a
name="fb_share" type="button" share_url="http://chrisabraham.com/2009/11/06/zikula-release-announcement/"></a></div><div
class="pin-it-btn-wrapper"><a
href="http://pinterest.com/pin/create/button/?url=http%3A%2F%2Fchrisabraham.com%2F2009%2F11%2F06%2Fzikula-release-announcement%2F&media=http%3A%2F%2Fstatic.zemanta.com%2Freadside%2Floader.js&description=Zikula+Release+Announcement" count-layout="horizontal" class="pin-it-button2" ><img
border="0" style="border:0;" src="//assets.pinterest.com/images/PinExt.png" title="Pin It" alt="PinExt Zikula Release Announcement" /></a></div><p>Back when I was a young Turk, I played a lot with a series of blog platforms and <a
class="zem_slink" title="Content management system" rel="wikipedia" href="http://en.wikipedia.org/wiki/Content_management_system">content-management systems</a> (CMS) &#8212; early PHP/MySQL &#8220;LAMP&#8221; &#8212; called Nukes.  There was <a
class="zem_slink" title="PHP-Nuke" rel="homepage" href="http://www.phpnuke.org">PHPNuke</a> and my favorite, <a
class="zem_slink" title="Zikula" rel="homepage" href="http://zikula.org/">PostNuke</a>.   I used PostNuke for my personal web site and for early variants of <a
class="zem_slink" title="Memes.org" rel="blog" href="http://memes.org">Memes.org</a>.  Well, it&#8217;s been a long time but PostNuke has come a long way, baby, and is now called <strong><a
href="http://zikula.org/">Zikula</a></strong>.  I am going to be seeing if I can find ways to use it, both for personal and professional projects.  You should surely check out Zikula, too.  Download it now and check it out: <a
style="font-family: Verdana,Arial,'Bitstream Vera Sans',Helvetica,sans-serif; color: #0044aa; background-color: #ffffff; text-decoration: none;" href="http://code.zikula.org/core/downloads/169" target="_blank">Zikula-1.2.0.zip</a> and <a
style="font-family: Verdana,Arial,'Bitstream Vera Sans',Helvetica,sans-serif; color: #0044aa; background-color: #ffffff; text-decoration: none;" href="http://code.zikula.org/core/downloads/168" target="_blank">Zikula-1.2.0.tar.gz</a></p><p><span
id="more-7823"></span></p><p><span
style="font-family: arial,sans-serif; font-size: small;"><span
style="background-color: #ffffff; font-family: Verdana; text-decoration: underline; font-weight: bold;">Main points of this release</span></p><ul><li><span
style="background-color: #ffffff; font-family: Verdana;">New language management system utilising gettext</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">UTF8 support (</span><span
style="background-color: #ffffff; font-family: Verdana; font-style: italic;">just mentioned in the upgrade script now</span><span
style="background-color: #ffffff; font-family: Verdana;">)</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Support for internationalisation (correct date and currency display)</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Fully indexable multi-lingual content</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Right to left display support</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Full review of language strings</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;"><a
class="zem_slink" title="Cascading Style Sheets" rel="wikipedia" href="http://en.wikipedia.org/wiki/Cascading_Style_Sheets">CSS</a> and Templates improvements</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Centralization of css classes for Zikula forms (z-form)</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Usability and consistency</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Reworked SeaBreeze theme</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Dozens of bug fixes</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">CSS/JS on-the-fly optimisation</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Simplified upgrade process from Zikula 1.1.0+ to 1.2.0</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Improved UI of installer and upgrade scripts</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;"><a
class="zem_slink" title="Broadband General" rel="blog" href="http://newfiction.com/%28S%28f3xgrai033qyh1bfrgjim155%29%29/Default.aspx">General</a> facelift to the user interface</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Auto update checker for the core</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Users module introduces an <a
class="zem_slink" title="Application programming interface" rel="wikipedia" href="http://en.wikipedia.org/wiki/Application_programming_interface">API</a> to let the site&#8217;s Profile module to handle the dynamic user data in the Users&#8217; forms (see system/Users/pndocs).</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Outsource further VA modules</span></li><li><span
style="background-color: #ffffff; font-family: Verdana;">Optimized module installation workflow</span></li></ul><p><strong><span
style="background-color: #ffffff; font-family: Verdana;">Download link:</span></strong></p><p><strong><a
style="font-family: Verdana,Arial,'Bitstream Vera Sans',Helvetica,sans-serif; color: #0044aa; background-color: #ffffff; text-decoration: none;" href="http://code.zikula.org/core/downloads/169" target="_blank">Zikula-1.2.0.zip<span> </span></a></strong><span
style="background-color: #ffffff; font-family: 'Times New Roman';"> (5.45 MB)</span></p><p><span
style="background-color: #ffffff; font-family: 'Times New Roman';"><a
class="zem_slink" title="MD5" rel="wikipedia" href="http://en.wikipedia.org/wiki/MD5">MD5</a>: 180425f0a9c3eeab8cdd742a608e9ee2</span></p><p><span
style="background-color: #ffffff; font-family: 'Times New Roman';">SHA1: a079331f622020150ab6333cca79b1855b11a4b7</span></p><p><strong><a
style="font-family: Verdana,Arial,'Bitstream Vera Sans',Helvetica,sans-serif; color: #0044aa; background-color: #ffffff; text-decoration: none;" href="http://code.zikula.org/core/downloads/168" target="_blank">Zikula-1.2.0.tar.gz</a></strong><span
style="background-color: #ffffff; font-family: 'Times New Roman';"><span> </span>(4.26 MB)</span></p><p><span
style="background-color: #ffffff; font-family: 'Times New Roman';">MD5: a019ea98a85b8d05afb19d2af23fbd5a</span></p><p><span
style="background-color: #ffffff; font-family: 'Times New Roman';">SHA1: 451cd39c816ac463f0e96ea31c4d68a6e625f387</span></p><p><span
style="background-color: #ffffff; font-family: Verdana;">Changelog link:</span></p><p><a
style="font-family: Verdana; color: #003ea8; background-color: #ffffff;" href="http://code.zikula.org/core/export/27416/tags/Zikula-1.2.0/docs/CHANGELOG.txt" target="_blank">http://code.zikula.org/core/export/27416/tags/Zikula-1.2.0/docs/CHANGELOG.txt</a></p><p><span
style="background-color: #ffffff; font-family: Verdana;">Developer documentation and videos</span></p><p><a
style="font-family: Verdana; color: #003ea8; background-color: #ffffff;" href="http://community.zikula.org/index.php?module=Wiki&amp;tag=TranslationIndex" target="_blank">http://community.zikula.org/index.php?module=Wiki&amp;tag=TranslationIndex<span> </span></a></p><p></span></p> <input
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isPermaLink="false">http://chrisabraham.com/?p=5887</guid> <description><![CDATA[Image via Wikipedia While I love Drupal, it is not the focus of Abraham Harrison, just part of a campaign here or there and the engine behind our AHLLC website. That said, I am a Drupal geek and fan. Unfortunately, I didn&#8217;t have the time to attend DrupalCom in DC, just down the street, this [...]]]></description> <content:encoded><![CDATA[<p></p><div
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class="zemanta-img" style="margin: 1em; display: block;"><div><dl
class="wp-caption alignright" style="width: 212px;"><dt
class="wp-caption-dt"><a
href="http://commons.wikipedia.org/wiki/Image:Druplicon.vector.svg"><img
title="Drupal" src="http://upload.wikimedia.org/wikipedia/commons/thumb/7/75/Druplicon.vector.svg/202px-Druplicon.vector.svg.png" alt="202px Druplicon.vector.svg Watch all 102 DrupalCon DC Sessions for Free" width="202" height="231" /></a></dt><dd
class="wp-caption-dd zemanta-img-attribution" style="font-size: 0.8em;">Image via <a
href="http://commons.wikipedia.org/wiki/Image:Druplicon.vector.svg">Wikipedia</a></dd></dl></div></div><p>While I love <a
class="zem_slink" title="Drupal" rel="homepage" href="http://drupal.org">Drupal</a>, it is not the focus of <a
href="http://chrisabraham.com">Abraham Harrison</a>, just part of a campaign here or there and the engine behind our <a
href="http://chrisabraham.com">AHLLC website</a>. That said, I am a Drupal <a
class="zem_slink" title="Geek" rel="wikipedia" href="http://en.wikipedia.org/wiki/Geek">geek</a> and fan. Unfortunately, I didn&#8217;t have the time to attend DrupalCom in <a
class="zem_slink" title="DC Comics" rel="homepage" href="http://www.dccomics.com">DC</a>, just down the street, this year.  I was blue &#8212; until now because all 102 sessions are available for free online to watch, TED-style!  Watch &#8216;em while they&#8217;e hot! Via <a
href="http://dc2009.drupalcon.org/news/all-drupalcon-dc-session-videos-are-now-online">DrupalCon</a>:</p><p><span
class="Apple-style-span" style="border-collapse: collapse; color: #000000; font-family: arial; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"></p><blockquote><p>Videos of all the sessions that were recorded at DrupalCon DC – all 102 of them – are now available to watch online. So if you missed a few sessions you wanted to see or couldn’t make the conference, take a day this weekend to sit back with a big cup of <a
class="zem_slink" title="Coffee" rel="wikipedia" href="http://en.wikipedia.org/wiki/Coffee">coffee</a> to watch some amazing Drupal presentations.</p><p>You can access the videos in several ways. You can browse the<span
class="Apple-converted-space"> </span><a
style="color: #2244bb;" href="http://dc2009.drupalcon.org/schedule" target="_blank">session descriptions on the DrupalCon site</a><span
class="Apple-converted-space"> </span>and find links to videos in the comments, you can review the<span
class="Apple-converted-space"> </span><a
style="color: #2244bb;" href="http://drupal.org/node/385952" target="_blank">list of sessions on Drupal.org</a><span
class="Apple-converted-space"> </span>and in<span
class="Apple-converted-space"> </span><a
style="color: #2244bb;" href="http://www.archive.org/search.php?query=drupalcon%20dc" target="_blank">Archive.org</a>, or you can check out the<span
class="Apple-converted-space"> </span><a
style="color: #2244bb;" href="http://aaronwinborn.com/video-term/drupalcon-dc" target="_blank">Wall of Videos</a><span
class="Apple-converted-space"> </span>that <a
class="zem_slink" title="Aaron" rel="wikipedia" href="http://en.wikipedia.org/wiki/Aaron">Aaron</a> Winborn created. We’re also working on integrating the videos into the DrupalCon DC <a
class="zem_slink" title="Website" rel="wikipedia" href="http://en.wikipedia.org/wiki/Website">website</a>, so stay tuned for more on that.</p></blockquote><p></span></p><div
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isPermaLink="false">http://chrisabraham.com/?p=13585</guid> <description><![CDATA[Thanks to Michael McLay and GWU, we have a place, a time, and a date for the next Zope Python User Group Meeting. The next ZPug will meet on Saturday, 21 September, 2002, at the Tompkins Hall of Engineering on the GW campus. Rejoice!Michael McLay wrote in a recent email: I confirmed with Tony Stanco [...]]]></description> <content:encoded><![CDATA[<p></p><div
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class="wp-caption alignright" style="width: 300px"> <a
href="http://commons.wikipedia.org/wiki/File:Python_logo.svg"><img
title="Python logo" src="http://chrisabraham.com/wp-content/uploads/2011/05/300px-Python_logo.svg_.png" alt="300px Python logo.svg  September 21st meeting at GWU, near Foggy Bottom Metro" width="300" height="89" /></a><p
class="wp-caption-text">Image via Wikipedia</p></div></div><p>Thanks to Michael McLay  and <a
class="zem_slink" title="George Washington University" rel="lonelyplanet" href="http://www.lonelyplanet.com/usa/washington-dc/sights/university/george-washington-university">GWU</a>, we have a place, a time, and a date for the next <a
class="zem_slink" title="Zope" rel="homepage" href="http://www.zope.org/">Zope</a> <a
class="zem_slink" title="Python (programming language)" rel="homepage" href="http://www.python.org/">Python</a> User Group Meeting.  The next ZPug will meet on Saturday, 21 September,  2002, at the Tompkins  Hall of Engineering on the GW campus.  Rejoice!Michael McLay wrote in a recent email:</p><blockquote><p>I confirmed with Tony Stanco that we will have a  room available at GWU on September 21st for the ZPUG meeting. The  meeting room is  in <a
href="http://replay.web.archive.org/20030711094408/http://www.gwu.edu/%7Emap/webdev/open_building.cfm?buildingid=45&amp;plain=yes">Tompkins  Hall of Engineering</a> on 23nd St. A <a
href="http://replay.web.archive.org/20030711094408/http://www.gwu.edu/%7Emap/html">campus  map</a> is also available. We can have the room every month on the third  Saturday.  Tony said if we only use it every other month that the  PerlMongers will be using  it on the alternate months. (I&#8217;m not making  this up) Perhaps the move to Saturday  morning will have a positive  effect on the regularity of our meetings. The Tompkins  Hall building is  a few blocks from the <a
class="zem_slink" title="John F. Kennedy Center for the Performing Arts" rel="geolocation" href="http://maps.google.com/maps?ll=38.8957,-77.0559&amp;spn=0.01,0.01&amp;q=38.8957,-77.0559%20%28John%20F.%20Kennedy%20Center%20for%20the%20Performing%20Arts%29&amp;t=h">Kennedy Center</a> and from the Georgetown.  If the  weather cooperates this would be a great family outing opportunity.</p><p>Are  there any volunteers to give a status report on the  development of  Zope3 or Python 2.3? If not, then perhaps a line up of mini-talks  would  be interesting. Please suggest a python package or module that you  found  particularly useful and prepare a few slides that describe it&#8217;s  use and benefits.</p><p>I can give a  presentation on the <a
class="zem_slink" title="PyGTK" rel="homepage" href="http://www.pygtk.org/">PyGtk</a> 2.0 <a
class="zem_slink" title="Graphical user interface" rel="wikipedia" href="http://en.wikipedia.org/wiki/Graphical_user_interface">GUI</a> package.  James Henstridge has done an  incredible amount of work on automating the generation  of C code  wrappers for the Gtk+ 2.0 and Gnome libraries. The 2.0 release of  this  package takes avantage of the new features of the C <a
class="zem_slink" title="Application programming interface" rel="wikipedia" href="http://en.wikipedia.org/wiki/Application_programming_interface">API</a> for Python 2.2.   The Gtk wrapper written in Python is gone. The entire GUI module is  written  in C.</p><p>I&#8217;ve recently spent  some time trying to use ZSI to implement <a
class="zem_slink" title="SOAP" rel="wikipedia" href="http://en.wikipedia.org/wiki/SOAP">SOAP</a>, in conjunction with the  PyGtk GUI interface. Unfortunately ZSI was designed  with httplib, which  does not share a mainloop well with the Threading module,  so I tried  replacing httplib in ZSI with asyncore. That was an interested several   days effort. Finally I decided to make life much easy on myself so I  switched  to Pyro instead of SOAP. Harmony has been restored to the  Universe. Picking  the right tool for the job can save lots of effort.</p><p>Another topic for discussion is the upcoming <a
href="http://replay.web.archive.org/20030711094408/http://www.egovos.org/">Open  Source for E-Government Conference</a>.  I been asked to give a presentation  at the Conference. I&#8217;m interested  in gathering examples of government use of  Open Source software (Python  in particular).</p><p>Volunteers for  other subjects? And please don&#8217;t be shy.  about suggesting alternatives.  (Chris, I hope you don&#8217;t mind my jumping in with  a proposal for the  meeting.) I&#8217;m just trying to get the ball moving again. Hopefully  some  more interesting subject will be proposed and I can postpone my  contribution  until October.</p></blockquote><div
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isPermaLink="false">http://chrisabraham.com/?p=14029</guid> <description><![CDATA[Squeak Squeak! The Rat is dead! Which old Rat? The Wicked Rat! Squeak Squeak! The Wicked Rat is dead. As Tenant of Grotto City, in the County of the Land of DC, I welcome you most regally. But we&#8217;ve got to verify it legally, to see; To see? If he, If he? Is morally, ethic&#8217;lly, [...]]]></description> <content:encoded><![CDATA[<p></p><div
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class="wp-caption alignright" style="width: 300px"> <a
href="http://commons.wikipedia.org/wiki/File:Dead_rat.JPG"><img
title="Dead rat" src="http://chrisabraham.com/wp-content/uploads/2011/05/300px-Dead_rat1.jpg" alt="300px Dead rat1 Sqeak Squeak the Rat is Dead" width="300" height="225" /></a><p
class="wp-caption-text">Image via Wikipedia</p></div></div><p><span><span>Squeak Squeak! The <a
class="zem_slink" title="Brown rat" rel="wikipedia" href="http://en.wikipedia.org/wiki/Brown_rat">Rat</a> is dead! Which old Rat?<br
/> The Wicked Rat! Squeak Squeak! The Wicked Rat is dead.</p><p>As Tenant of Grotto City, in the County of the Land<br
/> of DC, I welcome you most regally.</p><p>But we&#8217;ve got to verify it legally, to see;</p><p>To see?</p><p>If he,</p><p>If he?</p><p>Is morally, ethic&#8217;lly,</p><p>Spiritually, physically, Positively, absolutely,</p><p>Undeniably and reliably Dead!!</p><p>As Coroner I must aver, I thoroughly examined her. And<br
/> he&#8217;s not only merely dead, he&#8217;s really most sincerely dead.</p><p>Then this is a day of Independence for all the Grottoids<br
/> and their descendants!</p><p>If any!</p><p>Yes, let the joyous news be spread the Wicked Old Rat at last IS dead!!!!</p><p>Squeak Squeak! The Rat is dead! Which old Rat?<br
/> The Wicked Rat! Squeak Squeak! The Wicked Rat is dead.</p><p>Wake up &#8211; sleepy head, rub your eyes, get out of bed.<br
/> Wake up, the Wicked Rat is dead.<br
/> he&#8217;s gone where the goblins go,<br
/> Below &#8211; below &#8211; below. Yo-ho, let&#8217;s open up and sing and ring the bells out.<br
/> Squeak Squeak the merry-oh, sing it high, sing it low.<br
/> Let them know the Wicked Rat is dead!</span></span></p><div
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isPermaLink="false">http://chrisabraham.com/?p=13615</guid> <description><![CDATA[Hey, remember this: Item 8: Coelaboration Well, maybe not, but the gang from EFA, TMN, and I used to write some pretty cool hyperfictions and I put up a web zine called Coelaboration hoping to be able to do that at a very good scale but in the past I had no coding skills to [...]]]></description> <content:encoded><![CDATA[<p></p><div
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href="http://pinterest.com/pin/create/button/?url=http%3A%2F%2Fchrisabraham.com%2F2001%2F04%2F26%2Fvision-for-the-relaunch-of-coelaboration%2F&media=http%3A%2F%2Fstatic.zemanta.com%2Freadside%2Floader.js&description=Vision+for+the+Relaunch+of+Coelaboration" count-layout="horizontal" class="pin-it-button2" ><img
border="0" style="border:0;" src="//assets.pinterest.com/images/PinExt.png" title="Pin It" alt="PinExt Vision for the Relaunch of Coelaboration" /></a></div><p><span><span>Hey, remember this: <a
href="http://replay.web.archive.org/20030713111711/http://coelab.com/8/f8.html">Item 8: Coelaboration</a> Well, maybe not, but the gang from EFA, TMN, and I used to write some  pretty cool hyperfictions and I put up a web zine called Coelaboration  hoping to be able to do that at a very good scale but in the past I had  no coding skills to be able to do it right, but I am getting closer, so  if you have any ideas or this appeals to you &#8212; having a space for  posting your writing as yourself or anonymously as well as starting and  being part of hyperfictions?  Its sort of memetic to see which seed  attracts, etc&#8230;</p><p></span></span></p><p><span><span>Well,  it seems pretty easy to be able to make a <a
class="zem_slink" title="PHP" rel="homepage" href="http://www.php.net/">PHP</a>+<a
class="zem_slink" title="MySQL" rel="homepage" href="http://www.mysql.com">MySQL</a> (or even flat file)  collaborative writing tool that is basically a combination of <a
class="zem_slink" title="PHP-Nuke" rel="homepage" href="http://www.phpnuke.org">PHP-Nuke</a>,  Blogger, etc, that is not a VC so much as a PHP-Nuke site that has the  front area (where people start their collaborative  hyperfiction/hypertext) is an &#8220;article&#8221; like on a Nuke/Slashdot site,  but then when you hot &#8220;more&#8221; you see something more like  http://www.memoid.com/archive/00000019.htm#comments and then when it all  is finished (or larger) it looks like this, and is flat-linear and not  threaded, looking like this: </span></span></p><blockquote><p>8:227) Netiva Caftori 05-JUN-98 16:40</p><p>Wicked, wicked, are we wicked? All we want is love&#8230;</p><p>8:228) Hope O`Keeffe 06-JUN-98 3:44</p><p>Under the floorboards upstairs, the construction crew has found a worn black notebook.</p><p>Most of it is lists of accounts, the costs of bread and coal in the</p><p>1920s, monies owed from the boarders, all in picil. A woman&#8217;s hand, I</p><p>am sure.</p><p>But on the flyleaf, in pencil, it says:</p><p>Birds I saw at the birdbath Saturday May 1930</p><p>Tanager, Robin.</p><p>beautiful longtailed brown thrush</p><p>Smaller speckled thrush bathed and preened his feathers</p><p>2 catbirds. Blue jay.</p><p>I can&#8217;t imagine a place being more heaven than my front porch, morning,</p><p>afternoon or evening, in May. I wonder if there is such a thing as being</p><p>too thankful. Seems I was before I lost dad and I was so thankful. It</p><p>seemed I had come to rest.</p><p>Even when your body sits still and rests your mind goes on automatically</p><p>thinking dreaming wondering &#8212;</p><p>****</p><p>Later, on the same page, in ink:</p><p>This house is cold. Why? Oh I think winter is the time to visit. Of</p><p>course one does not have the comforts of home. If I go some where or if</p><p>some body comes here we don&#8217;t find it like home in any way, and of course</p><p>we are bound to howl. But since howling is our nature, why not?</p><p>***</p><p>There is no more.</p><p>I MUST find out who this woman was. And, of course, I must build a pond,</p><p>if only as a birdbath&#8230;</p><p>8:230) Katherine Blanke (KAT) 07-JUN-98 0:47</p><p>She remains such a mystery to me, even though I&#8217;ve known her for so long.</p><p>Why does she do the things she does, why did she do the things she did?</p><p>@!KAT</p><p>8:231) Netiva Caftori 07-JUN-98 16:04</p><p>History facts should be reported&#8230;not just the price of bread that is</p><p>documented but especially the names of birds that passed by in the 20&#8242;s&#8230;.</p><p>this is more than a legacy to Hope, but a legacy that should be shared w/</p><p>everyone&#8230;</p><p>8:232) Red 07-JUN-98 19:12</p><p>The only one. I&#8217;m the only one for him. He says it so confidently. I put in</p><p>his CD, to his favorite song and felt bad.</p><p>I love you. He says it almost everyday. hints at it, sometimes comes out right</p><p>and says it directly. I snapped at him and told him to knock it off. He sounded</p><p>so sad on the other end of the phone.</p><p>I wore his shirt today. The track and field one from Parchment. It wasn&#8217;t</p><p>the same thing as him, but it was better than nothing. I was warm even though</p><p>it was cold outside.</p><p>He said he didn&#8217;t want to fight anymore, about whether or not he loves me.</p><p>He didn&#8217;t like to fight with me about it. It mad him sad that he said it and</p><p>all I did was yell at him. He didn&#8217;t know how I felt. That&#8217;s when i started</p><p>crying.</p><p>Ozzy is not a good thing to be listening to right now.</p><p>Why can&#8217;t he be like the other ones? Why does he have to insist that he</p><p>loves me? Why can&#8217;t he just take advantage of me and leave, like everyone else.</p><p>It&#8217;s only been two weeks&#8230;it feels like years&#8230;or at least more than 14 days.</p><p>&#8220;..Time after time, line after line you broke my&#8230;.&#8221;</p><p>She called today. Mortality had slapped her in the face. Skin cancer. She said</p><p>it so matter of factly, as if it wasn&#8217;t the important thing. It&#8217;s just there.</p><p>On to the salvation of a community that was nothing without her. I wrote it out</p><p>and posted it like she said. No one else seemed to notice either. Maybe not a</p><p>big thing, since it&#8217;s so easy to remove&#8230;but still&#8230; I felt as if I was the</p><p>only one crying&#8230;.</p><p>8:233) chris abraham 08-JUN-98 10:47</p><p>The rumor mill hit me upon arrival at work. &#8220;He must have a trust fund.&#8221; &#8220;He</p><p>must have a silver spoon in his mouth.&#8221; &#8220;He must have another income, how else</p><p>can he take 21 unpaid days off of work and miss nary a step?&#8221; The rumor mill</p><p>as filtred through a colleague who knows me as chris and not Mr. Abraham. A</p><p>friend. She told me of the prying questions asked, the threats and the</p><p>posturing: &#8220;I have been working here for almost 10 years and have never taken</p><p>off three weeks.&#8221; They call it my vacation, but it was not that. It was a</p><p>crusade for a holy grail; it was not unlike a quest. It was for love. That</p><p>sounds terribly cliche, but there it is. The grail, love as pesonified by a</p><p>woman, as personified. Moving. Flying. United. Hawaiian. A dog named Suzi,</p><p>a roomate, Bret, a friend, Bryan, and a smallish ramshackle wooden house in</p><p><a
class="zem_slink" title="Kaimuki, Hawaii" rel="geolocation" href="http://maps.google.com/maps?ll=21.2827777778,-157.801666667&amp;spn=0.1,0.1&amp;q=21.2827777778,-157.801666667%20%28Kaimuki%2C%20Hawaii%29&amp;t=h">Kaimuki</a>. Housing a wonderfully complex flowering woman. Yes, the silver of</p><p>rings. Yes, the alien weighing my hand, pressing my finger, signifying m</p><p>Where did those three years go? Where were you? Where was I? I really</p><p>cannot account for 1997. I am sure it came to pass because this is 1998. I</p><p>know I was on a plane, living off of stock returns and a passport, in 1996.</p><p>1995 was a year of change, a year of mourning, a year of sickness and</p><p>madness, or tight body and crazed eyes. A dark time. 1996 was a time of</p><p>embracing and hurting and the bright wet red pulpiness of open wounds &#8211;</p><p>spittle and puss, healing this way and that, showing jagged scars and a rough</p><p>wound. Words of death, of love, of melancholy intercourse abroad and</p><p>cigarettes, wine, whisky, debauch, poetry, ashtrays, trains, ships, planes, and</p><p>whatnot.</p><p>1997. *****. don&#8217;t know.</p><p>1998. Bob&#8217;s death day passed and on that day I made images of Willow with</p><p>Mary, a friend of Bob, and held my love in my arms, held her and rejoiced.</p><p>Never really mentioned it, but writing words for Bob is meaningless. Burning</p><p>film, flexing the <a
class="zem_slink" title="Nikon" rel="homepage" href="http://www.nikon.com/">Nikon</a>, shooting a model in Honolulu, being with Mary,</p><p>making image is the way to go. Let go. Remember but let it go. Feel and</p><p>release.</p><p>But to love. To care only of the future, to feel the present completely, to</p><p>feel touch, to hear word, to see body, eyes, hair, nose, brow, teeth, chin,</p><p>tongue, chest, shoudlers, back, arms, legs, feet, hands, fingers, ring. Let</p><p>the past go. Be egoless. Be selfless. Love for love&#8217;s sake. Expose the</p><p>belly, expose the neck. Sleep soundly. Love completely. Feel the ring on the</p><p>ring finger of the left hand and let its weight and silver circle remind me,</p><p>enamour me, seduce me, excite me.</p><p>Appreciate. Explore. Want. Desire. Know. Enjoy. Love.</p><p>Wednesday afternoon, I shall embrace a roomate soulmate partner lover love</p><p>girlfriend friend into my washington, into our apartment.</p><p>what luck, what a lucky ***** am i!</p><p>8:234) Barry Bluestein 09-JUN-98 23:53</p><p>There was no doubt, the Boy had it bad, real bad.</p><p>8:235) Aaron Webb 24-JUN-98 23:24</p><p>If there were ever the perfect place to test all</p><p>your thoughts about humanity, it is the subway.</p><p>Tribalism, cunning rivalry, racism, love,</p><p>unexplained hate, all in abundance, and exposed</p><p>by and eye which is bored for the wait for the</p><p>next stop. I sit down across from a man dressed</p><p>like a nice guy. In his hand, is a brocure he&#8217;s</p><p>reading. A retreat for quakers or something</p><p>like that. Suddenly glances up from his reading</p><p>and catches me watching and examining him. He</p><p>glares through thick glasses at me, and I drop</p><p>my eyes in the age old instinct of animalistic</p><p>submission. His pinkish hat says &#8220;friends&#8221;.</p><p>A man is sitting a couple seats behind where I&#8217;m</p><p>going on the subway. He is obviously retarded,</p><p>eyes uncrossing and crossing at my entrance to</p><p>the almost empty car. He grunts and blinks as I</p><p>smile and nod in his direction as I do for</p><p>everybody who I see. He talks to himself loudly</p><p>throughout the ten minute ride,but all I see of</p><p>him is a brief glimpse over my shoulder. You&#8217;re</p><p>not supposed to look around you see? I risk</p><p>this subway taboo, making an exception for this</p><p>odd man. In his hands is a small coupon</p><p>advertising an ornamental knife. His eyes widen</p><p>slightly when he notices what he is holding. He</p><p>smiles slightly, and smartly flicks his gaze</p><p>toward mine. I turn as he drops the piece of</p><p>paper onto the subway&#8217;s carpet.</p><p>As I sit, the subway stops and lets in a new</p><p>batch of passengers. A young man walks in. He</p><p>is about 6&#8217;1&#8243; and obviously is very strong, with</p><p>muscles straining at the seams of his shirt. He</p><p>twirls his bloated wallet apon a pivot created</p><p>by his thumb and middle finger. As the train</p><p>screams toward the next stop, he notices me</p><p>stand and gather my things. I meet his gaze,</p><p>instead of dropping it like I had for the</p><p>&#8216;friend&#8217;. His answer to my instinctual</p><p>challenge? To step over to his left one half</p><p>step, into the space near the door, insuring</p><p>that I would have to break into his personal</p><p>space to get near the door. As the door opens,</p><p>he steps out, and up the stairs without a sound,</p><p>probably subconsiously satisfied that he had won</p><p>that battle. I catch myself doing the exact</p><p>same thing seconds later in line for the</p><p>outbound side of the ticket processor.</p><p>On my way back home tonight, I saw a couple</p><p>kissing as they parted on the train&#8217;s doorway.</p><p>I yearned to ask the next attractive girl on the</p><p>subway &#8216;where you from?&#8217; &#8216;where you going?&#8217;</p><p>&#8216;whatch up to?&#8217; as I had with the girl in</p><p>Sorrento, and the fellow freshman at western</p><p>who&#8217;s room number now burns insistently in my</p><p>back pocket. But on the subway, I know the</p><p>answer. She&#8217;s from the last stop, she&#8217;s going</p><p>to another stop, and she is busy playing the</p><p>sport of solitude in the big city.</p><p>8:236) chris abraham 21-AUG-1998 10:38</p><p>living underground is not like</p><p>death. it does not have me feeling</p><p>maggoty or decomposing. better,</p><p>the feeling is like hibernation.</p><p>or burrowing like the way she burrows</p><p>into my chest or the way I burrow under</p><p>the duvet, into my sleep. in a world</p><p>wherein i am all abuzz, where i feel</p><p>always pursued by madness, success, failure,</p><p>expectations, and need, telling myself that</p><p>the bedroom is the place for peace, for</p><p>sleep, for solace isn&#8217;t nearly enough.</p><p>when i open the wooden gate and lock it</p><p>behind me, i must pass pots of budding</p><p>plants. consciously toeing into the</p><p>stairwell, squeezing past the a/c, standing</p><p>before the glass-faced door.</p><p>always cool inside. always dark and quiet.</p><p>always getting light from above, always seeing</p><p>designs on the floor from branches moving, people</p><p>passing, rain falling.</p><p>the dark, the quiet &#8212; never enough O2, always</p><p>a little sleepy. If we were to ever leave on the</p><p>gas after making a stir fry, we would be goners,</p><p>my shell and i.</p><p>have yet to turn on a PC; have yet to login, check</p><p>in, read in, jack. just touch. just looks and seeing</p><p>and the warmth of cooked food, the cold of perspirant</p><p>class, the slickness of body aroused, the tightness</p><p>of tired bodies looking for the sleep, protected from</p><p>the EMF, protected from the sirens and public passions</p><p>of trumpeting city busses, ambulii, engines that could</p><p>and doo.</p><p>soon, a dog named sue; soon, soirees and whole food and</p><p>the slickness of body aroused; the harsness of a body</p><p>aroused, the swallowing of self: the gate swallowing</p><p>you and me; the stairs taking us, the coolness of under</p><p>ground consuming, the sheets, the bed, the eating,</p><p>matications, taking onto lips into mouths, the flick</p><p>of a pink tongue, and then the swallowing only to merge</p><p>and find not death but restful sleep.</p><p>8:237) Hope O`Keeffe 28-AUG-1998 15:23</p><p>He bleats a bit, and I switch him to heart-side. They swirl all around us</p><p>in the underground food court: sunburnt tourists, field-tripping boy scouts,</p><p>office workers skipping out for a Friday afternoon break. I dunk my thumb in</p><p>the cup of icecream and he slurps it in with his small pink tongue, confused by</p><p>the new sensations &#8212; cold! sweet! sticky! He sucks with tiny furrowed brow</p><p>and enormous concentration.</p><p>Patrick Martin Thomas Langello is three days old. The cycle begins, and ends,</p><p>and begins again.</p><p>8:240) chris abraham 31-AUG-1998 16:41</p><p>the stories cannot be confirmed or denied.</p><p>what is an history? what makes things</p><p>act yoo al? versus fick shi nall? after</p><p>three years of knowing, after three years</p><p>of following and exploring the truth, here</p><p>comes the vulgarity and yet there is no way</p><p>to know for sure &#8212; no boner fiday way of</p><p>knowing the incessantly sworling swohrling</p><p>whorling whoring debilitating mesmerising</p><p>destroying supporting mucous memories of</p><p>times past, of inebriations or was it getting</p><p>toked on hiphop jes grew jes grew it in the</p><p>back behind the rosemary, behind the Oray</p><p>Gan Oh (oh, to pronounce certain things like</p><p>a brit, oh to know smugly what it is to be</p><p>a man who is from hawaii who attended uni</p><p>in a small campus on a small bit of land by a</p><p>lake in farmland in norwich, norfolk: oraygahnoh)</p><p>corgettes. rahthah. so, where was i:</p><p>the slipery eel reality, the cumstained rag</p><p>of memory: is it mine, is it yours, is it</p><p>swimming with virus, are there pieces of baby there</p><p>is there you or me, was it him? who&#8217;s baby?</p><p>was there shaving cream involved? was there a</p><p>state of undress? what does a state of undress</p><p>look like when you stumble upon it as a cleaning</p><p>lady in a swanky resort and country club &#8212; and</p><p>moreso, what is the number of jc? wwjd? wwjd?</p><p>writhing, writing, pawing, slippery majesty and</p><p>playing the horn, rubbing the nub, eating eating</p><p>out eating out necklace de perle. perle. wipe.</p><p>cumstains show up elegantly as ghostly white under</p><p>the sweeping arc of the black light, the UV bulb.</p><p>ghost white. used at rape scenes. looking for the</p><p>came and went; he done ***** and went, where dat bleeding</p><p>black light. the biograph was never illuminated in</p><p>blacklight because the seating might have shown like</p><p>the galaxy: innumerable white flecks upon a dark field&#8230;</p></blockquote><p><span><span> </span></span></p><p>With the 8:12 thing  there, with the name linked to an &#8220;about&#8221; page like nuke  (http://memes.org/user.php?op=userinfo&amp;uname=greyskies) and the  &#8220;topic&#8221; can be Poetry, Prose, Rant, etc&#8230; and each person can either  allow comments or not&#8230; when they post.  I wonder if that is possible  &#8212; so that each person who contributes can decide whether they want the  comments, whether they want a collaborative text, or what.  I think that  what http://www.memoid.com is built from, called Greymatter  (http://noahgrey.com/greysoft/) and its very Blogger &#8212; but Anonymous  people should be able to post and reply (allows people to be more open)  and also register.  So, maybe it would take a lot of customization &#8212;  because the comment thing is not where I want it to be&#8230; there always  has to be a comment box when you look at the &#8220;more&#8221; view  (http://chrisabraham.com/article.php?sid=68&amp;mode=flat&amp;order=0)  &#8212; like this: (http://www.memoid.com/archive/00000010.htm#comments) and  the entire karma thing &#8212; I don&#8217;t know if I like it because it makes it  too competitive and too much like a slam.</p><p>Anyway, I hope to be  able to relaunch coelaboration.com real soon &#8212; and it will look and  feel a little like the old one (http://www.coelab.com) but be new.</p><p>*SMOOCH*</p><p>Chris</p><p><span> cc: ChrisAbraham.com</span></p><p>&nbsp;</p><div
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