Career
After Fey graduated from drama school at the University of Virginia in 1992, she moved to Chicago, getting a day job at a residential YMCA to take night classes at The Second City. She made what she later described as an “amateurish” attempt at stand-up comedy, and learned that the key to improvisation was to “focus entirely on your partner. You take what they’re giving you and use it to build a scene.”

By 1994 she was invited to join the cast of The Second City, where she performed in the Jeff Award-winning revue Paradigm Lost. She is also a veteran of The ImprovOlympic.

Saturday Night Live

With then-head writer Adam McKay’s help, Fey became a writer for NBC’s Saturday Night Live (SNL) in 1997. By 1999, Fey was SNL’s first female head writer, a milestone she downplays by pointing out that the show has had few head writers.

As co-head writer of SNL’s 25th anniversary special, Fey won a 2001 Writers Guild of America Award; she and the writing staff also won a 2002 Emmy Award for their work on the show.

In September 2005, she went on maternity leave after giving birth to a daughter, Alice Zenobia Richmond. Her Weekend Update role was covered by Horatio Sanz for several weeks before her return to the show on October 22, 2005, noting:

“I had to get back to work. NBC has me under contract; the baby and I only have a verbal agreement.”
Fey confirmed during a July 2006 Tonight Show appearance that she would not be returning to SNL for its 2006-7 season.

SNL sketches
Some recurring sketches written by Fey include:

Parodies of Live with Regis and Kelly and The View
The Girl with No Gaydar, cowritten by Rachel Dratch
Boston Teens, cowritten by Dratch

She is also credited with:

Colonel Angus, portrayed by Christopher Walken in a sketch filled with word play on the colonel’s name
Mom Jeans commercial
“Talkin ‘Bout ‘Ginas” (Parody of The Vagina Monologues)

Weekend Update
In 2000, Fey and Jimmy Fallon became co-anchors of SNL’s Weekend Update, a pairing that ended in May 2004 when Fallon last appeared as a cast member. (Fey also was co-writer of the Weekend Update segment). Fallon was replaced by Amy Poehler. It was the first time that two women co-anchored Weekend Update.

Celebrity impressions
Barbara Pierce Bush
Bea Arthur
Janice Dickinson
Kathleen Willey
Mary Ann Mobley
Paris Hilton
Paula Zahn
Vanna White

30 Rock
Fey developed a situation comedy, 30 Rock, for NBC’s fall 2006 schedule.. The show is produced by NBC and Broadway Video, with Lorne Michaels and two former producers of The Tracy Morgan Show, David Miner, who is also her manager at 3 Arts, and Joann Alfano. She also writes and stars in the sitcom, said to be based on her experiences at SNL. The show’s title is a reference to 30 Rockefeller Plaza, where SNL is produced.

Similarities between 30 Rock and Studio 60 on the Sunset Strip led to speculation that only one of the two shows would be picked up. Alec Baldwin, who played the network executive in the 30 Rock pilot, said “I’d be stunned if NBC picked up both shows. And ours has the tougher task, as a comedy, because if it’s not funny, that’s it.” Kevin Reilly, the president of NBC Entertainment, was supportive of Fey, describing it as a “high-class problem”:

I just can’t imagine the audience would look at both shows, choose one and cancel the other out. In some ways, why is it any different than when there have been three or four cop shows on any schedule, or Scrubs and ER, which are totally very different?

Evidence of the overlapping subject matter between the shows (as well as the conflict between them) is the fact that Aaron Sorkin, the creator of Studio 60, asked Lorne Michaels to allow him to observe SNL for a week, a request Michaels denied.

It’s just bad luck for me that in my first attempt at prime time I’m going up against the most powerful writer on television. I was joking that this would be the best pilot ever aired on Trio. And then Trio got cancelled.

In spite of the overlap in subject matter, it was announced on May 15, 2006, that NBC had picked up both shows.

The show debuted to mostly positive reviews, however ratings its original timeslot on Wednesdays at 8 PM were weak. Rather than cancel the show, NBC moved the show into a revamped Thursday Must See TV comedy lineup at the end of November sweeps. After its first episode in its new Thursday 9:30 PM timeslot on November 30, 2006, the network picked up the show for the entire season

Other work
She partnered with fellow cast member Rachel Dratch in the critically acclaimed two-woman show Dratch & Fey at the Upright Citizens Brigade Theater in New York City, the U.S. Comedy Arts Festival in Aspen, Colorado, and the Chicago Improv Festival. Lorne Michaels saw her at one of the performances, which led to her becoming the co-anchor of SNL’s Weekend Update.

She also appeared in Martin & Orloff, a surreal comedy which premiered at Austin’s SXSW.

Fey wrote the script and co-starred in the 2004 movie Mean Girls. Characters and behaviors in the movie are based on Fey’s high school life at Upper Darby High School and on the non-fiction book Queen Bees and Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends, and Other Realities of Adolescence (ISBN 0-609-60945-9) by Rosalind Wiseman. The cast includes other present and past cast members of SNL including Tim Meadows, Ana Gasteyer, and Amy Poehler.

As of April 2006, Fey is working on a script for a Paramount Pictures film by the name of Curly Oxide and Vic Thrill that is said to be based loosely on the true story of a Hasidic rock musician.

Personal life
Fey was born in Upper Darby, Pennsylvania, a suburb of Philadelphia to a Greek American mother and a father of German and Scottish descent. Her brother, Peter, remembers a drawing she did when she was about seven: it showed people holding hands, walking down the street with wedges of Swiss cheese. The caption read, “What a friend we have in cheeses!”

Fey was exposed to comedy early, saying:

“I remember my parents sneaking me in to see Young Frankenstein. We would also watch Saturday Night Live, or Monty Python or old Marx Brothers movies. My dad would let us stay up late to watch The Honeymooners. We were not allowed to watch The Flintstones, though, which my dad hated because it ripped off The Honeymooners. I actually have a very low level of Flintstones knowledge for someone my age.”

Her dream to entertain first was at Philadelphia Phillies baseball games, as she wanted to become a ball girl.

Fey attended Cardington Elementary School and Beverly Hills Middle School; by middle school she knew she was interested in comedy, even doing an independent study project on the subject in eighth grade. She graduated from Upper Darby High School in 1988.

Tina Fey is married to Jeff Richmond, a composer on SNL. They met before their jobs on SNL and dated for seven years before marrying in a Greek Orthodox ceremony on June 3, 2001 . They have a daughter, Alice Zenobia Richmond who was born on September 10, 2005.

Rent is too insubtle, too pedantic, too rife with hyperbole, too grotesque, too black and white. The premise is amazing, but the musical is too focused on preaching to the choir and not enough time to educate the masses of asses on sundry important social issues, for both conservatives and liberals.

Read something, even out of the Wall Street Journal or the FT to the tune of a loping, awkward, highschool musical, and it sounds like Rent.

Rent is schoolmarmish while Hair is just out there, exposed. Rent tells you what to think while Hair lets you think for yourself.

Amen to that.

Built like a woman should be!

Katharine Hope McPhee (born March 25, 1984) is an American singer who is a finalist on the fifth season of American Idol.

Early career

Born in Sherman Oaks, California, McPhee has been singing since the age of two. Her mother, Peisha Burch McPhee, a vocal coach and accomplished cabaret singer, recognized a talent for music in her daughter and started training her. McPhee graduated in the class of 2002 from Notre Dame High School after which she attended The Boston Conservatory for three semesters with a concentration in musical theater. She left because she met a manager who wanted her to try out for parts during the television pilot season in Los Angeles. She did a pilot and an independent film.[1] At the Cabrillo Music Theater in Thousand Oaks, California, she performed the title role in a musical theatre production of Annie Get Your Gun. In June 2005 she played Anna Muir in The Ghost and Mrs. Muir, a musical by Scott DeTurk and Bill Francoeur, based on the book by R.A. Dick, at NoHo Arts Center in California.

Trivia

* McPhee lists Whitney Houston and Brian McKnight as her favorite artists.
* McPhee has a sister named Adriana, who is one year older.
* McPhee is left handed.
* McPhee is 5’7″ (170 cm).
* McPhee was rumored to be a Scientologist. In the past, McPhee had attended and completed two individual courses in Scientology.[2] However, according to an May 12, 2006 interview on Los Angeles radio station KROQ 106.7, McPhee stated she “dabbled in Scientology” because of a former love interest but is not a Scientologist; according to her, she was “quickly out the door.”[3]
* McPhee has a dog named Lily.
* McPhee has a goddaughter who was born during McPhee’s run in Hollywood.

During her initial audition for American Idol in San Francisco, she sang “God Bless the Child.” Judge Randy Jackson said she was the best voice he had heard so far that season, judge Paula Abdul praised her looks, and judge Simon Cowell said she was amazing and “current.” McPhee’s mother had gone with her to the audition, and Cowell made a comment about the possibility that the elder McPhee was a stage mother.

In the final cut-down show for the Top 24, McPhee was the first to be put through and, in excitement, kissed all three judges on the lips. She cried both when she passed her initial audition and when she made it into the Top 24.

In the first round of the semi-finals, she sang Barbra Streisand’s version of Buddy Johnson’s “Since I Fell for You,” again earning high praises as Cowell said that out of the four “very, very good vocalists” of the night, she was the best.

During the week leading to the third round of the semi-finals, where McPhee sang Aretha Franklin’s “Think,” she was rumored to be quitting due to pregnancy. However, during the performance show on March 7, 2006, she denied this accusation, later attributing it to a poor choice of clothing. Host Ryan Seacrest, with tongue-in-cheek, asked about her and fellow Idol contestant Kevin Covais.

During the week preceding the top 3 show, McPhee visited her former high school for her hometown celebration.[4]

On the May 23, 2006, edition of NBC’s Today Show, Katie Couric mentioned news reports saying that Katharine’s greatest assets are her looks and strong fan base, while her greatest liability is the fact that her performances suffer when she is under pressure.

Performances

Semi-finals

* February 21, 2006 – “Since I Fell for You,” Barbra Streisand version.
o Cowell said that she was the best singer of the night.
* February 28, 2006 – “All in Love Is Fair,” Stevie Wonder
o The judges stated that they thought this performance fell victim to poor song choice, but Abdul thought that she was “still a star.”
* March 7, 2006 – “Think,” Aretha Franklin
o The judges stated that they loved this performance because she “had fun with it.”

Finals

* March 14, 2006 – “Until You Come Back to Me,” Stevie Wonder
o The theme was Stevie Wonder, and the judges stated that they loved this performance. Jackson said that the McPhee he “met during the auditions” was back. Cowell compared her gaining of momentum to Kelly Clarkson in the show’s first season.
* March 21, 2006 – “Come Rain or Come Shine,” Ella Fitzgerald
o The theme was 1950′s, and once again the judges were very impressed. Jackson noted that it wasn’t her best vocal performance, but it was still great. Abdul agreed wholeheartedly. Cowell noted that it was the performance that made her a star.
* March 28, 2006 – “The Voice Within,” Christina Aguilera – (Bottom 3)
o The theme was songs of the 21st century. Jackson thought she should have changed the performance up to make it her own. Abdul said she wouldn’t change a thing. Cowell said it was the best that night so far, and almost as good as Aguilera. During the results show, however, McPhee was placed in the bottom three, and Cowell stated that upon viewing the playback, she wasn’t nearly as good as he thought.
* April 4, 2006 – “Bringing Out The Elvis,” Faith Hill
o The theme for the night was country. McPhee was the eighth of nine performers that night. Jackson said: “Kind of bluesy country, yeah? I like it. You sang it very nice, very nice. Good job, dawg, good job.” Abdul said: “That is your style; that’s your niche. You look sexy, hot. You’re cool.” Cowell, looking a bit bewildered, said: “I don’t know what to say anymore; I really don’t. That song was just so peculiar.” At this point McPhee spoke up and said: “Simon, you just don’t like country music. It’s okay. Just say it,” with which Cowell agreed, saying: “You’re right, I don’t, I don’t. I hate it.”
* April 11, 2006 – “Who Wants to Live Forever,” Queen
o The theme was songs by Queen, and McPhee performed fifth out of eight contestants. The judges’ reactions were as follows: Jackson said: “This is your element, I mean a little Broadway, big song, kind of big voice. It was a little pitchy in spots, and I thought at some points it was a little big for you, but you did a good job, I think, all in all.” Abdul said: “You made the right decision to just stand there and be glorious, with your glorious voice. I mean it’s a song that big singers like Celine Dion and Barbra Streisand take on; and you, Katharine McPhee, can handle it, and you did a great job.” Cowell said: “Katharine, I mean that was almost the moment. You know, I agree with Randy [Jackson], I think there were some tuning problems at parts. I think you owe a big kiss to the director and the lighting director there, because they made you look amazing — I mean really good. But overall I think it was probably one of the strongest tonight. Yeah. Very good.” McPhee then responded, “Thank you, I know, I do. Thank you, guys,??? in response to Cowell’s comment about owing the directors a kiss, as she turned and thanked them.
* April 18, 2006 – “Someone to Watch Over Me,” George Gershwin
o The theme was “The Great American Songbook” by Rod Stewart. McPhee performed last that night. Jackson said that McPhee was in her “element.” Abdul believed that she picked the perfect song and told her that it was like watching her for the very first time, and that she had fallen in love with her all over again. Cowell said that she made the others look like “good amateurs.” He told her she was the best of the night, and that she was elegant and sang like a returning pro. Rod Stewart himself told her that he believed she was born to sing the Standards, and that he couldn’t think of anything else to say about her, other than the fact that she was brilliant.
* April 25, 2006 – “I Have Nothing,” Whitney Houston – (Top 2)
o The theme was “Greatest Love Songs.” Jackson said that it was a good song choice but it was too big for her. Abdul said she was stunning but believed it was too pitchy. Cowell said that by coming out and singing that song she was saying she is as good as Whitney Houston. Seacrest jokingly remarked that McPhee would get votes from anybody with the volume turned down. The following night, Cowell took back his statement, saying that when he watched it back, it was a good performance. Jackson also apologized by saying that he had been a little bit “too harsh.” McPhee was among the top two vote getters on elimination night along with fellow contestant Chris Daughtry.
* May 2, 2006 – “Against All Odds (Take a Look at Me Now)”, Phil Collins; “Black Horse and the Cherry Tree,” KT Tunstall
o The theme for the night was for them to pick a song from the same year they were born, and a song from this week’s Billboard charts. For “Against All Odds,” Jackson thought her performance may have been in the wrong key for Katharine’s voice, but it was OK. Abdul said it wasn’t her favorite song choice for her. Cowell said that in parts the song was a mess, and that it ran away from her. They all thought she looked stunning in her dress. For “Black Horse and the Cherry Tree,” Jackson liked seeing the old McPhee back. Abdul loved the intimacy and the choreography. Cowell said the song choice was great for her and it really showed her personality. He liked how her toes matched her top.
* May 9, 2006 – “Hound Dog/All Shook Up” and “Can’t Help Falling in Love”, Elvis Presley – (Bottom 2)
o The theme was Elvis Presley. For “Hound Dog/All Shook Up”, Jackson asked if she forgot the lyrics but Abdul said she handled it well and that the performance was “really fun”. Cowell said it was a “desperate manic audition” and that the song was also “shrieky” and for him, he just thought that it “wasn’t a great performance”. For “Can’t Help Falling in Love,” she received mixed reviews, as well as Abdul commenting that she preferred “Katharine having fun” and Simon noting the song as being “pitchy.” On May 10, 2006, McPhee was in the bottom two with Chris Daughtry. Daughtry was eliminated from the competition.
* May 16, 2006
o Clive Davis chose R. Kelly’s “I Believe I Can Fly” for McPhee. Jackson thought she did well, but the song choice was bad and she wasn’t “that singer.” Abdul, after some pause and inspiration from an audience member, said that McPhee was incredible, and that she looked fabulous. Cowell enjoyed the performance.
o Cowell chose “Over the Rainbow” (originally made famous by Judy Garland) for McPhee. Jackson was blown away, calling her “a hot one,” and declaring that she had the best song of the season. Abdul was also impressed, saying that song was her “element.” Cowell said that he was very happy for Katharine and, putting the fact that he chose the song aside, he thought it was the best performance of the competition to date. He also added that it was brilliant.
o McPhee chose Ella Fitzgerald’s “I Ain’t Got Nothin’ But the Blues” for her final song. Jackson said it was good, but not to the extent of her second song. Abdul agreed, once again saying that McPhee’s second song was her “element.” Cowell said it was okay, and he wished America had seen her second song last instead. McPhee made it to the final two, along with Taylor Hicks.
* May 23, 2006
o McPhee’s first song was Black Horse and the Cherry Tree from the Final 5. Randy Jackson said it was better than the first time. Paula Abdul said that Katharine was brilliant. Simon Cowell said it was good, but not big enough for this event.
o McPhee’s second song was Somewhere Over the Rainbow from the Final 3. Jackson said it was amazing and hot. Abdul said it was great. Cowell said it was her best performance of the season.
o McPhee’s third song was an original single called My Destiny written by singer/songwriter Hanne Sorvaag. Jackson said McPhee looked and sounded amazing, but she was better than the song. Abdul agreed that Katharine sounded amazing. Cowell said that this song made her go from “brilliant” to only “quite good”, but her second song was where she truly shined.

Pretty women wonder where my secret lies.
I’m not cute or built to suit a fashion model’s size
But when I start to tell them,
They think I’m telling lies.
I say,
It’s in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It’s the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

Men themselves have wondered
What they see in me.
They try so much
But they can’t touch
My inner mystery.
When I try to show them
They say they still can’t see.
I say,
It’s in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I’m a woman

Phenomenally.
Phenomenal woman,
That’s me.

Now you understand
Just why my head’s not bowed.
I don’t shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It’s in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
‘Cause I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.