I have been pinned by the coverage of #leweb down in Paris on Twitter, especially during all of the excitement as Dr. Helen Fisher talked about sex, attraction, and falling in love. So, since everyone else has been taking the Chemistry love personality test, I thought I would do the same. So, with no further ado, here’s my results. Is any of is surprising? You, too, can take the test for free (and sign up, as a result) over at Chemistry.com

Hello Chris,

Welcome to your Chemistry Profile. The following analysis is based on your responses to our questionnaire. Your results identify your major and minor personality types, as well as the types with whom you’re likely to be compatible.

Your Major and Minor Personality Types Characteristics of all four personality types can be found within each of us, but there is almost always one personality type that is dominant. We call this the major personality type. The Chemistry Profile also identifies your minor or secondary personality type. You exhibit some aspects of this personality type, though not to the same degree as with your major type.

• Your major personality type = Director
• Your minor personality type = Negotiator

You are a DIRECTOR/negotiator You are an innovator. You are an inventive, thorough, independent thinker with a deep interest in how the world works. You quickly grasp patterns and relationships. And when you focus on a particular work-related or social puzzle, you often come up with novel theories and ideas about it. You have a strong need to achieve. You want to make an impact on the world. And with your aptitude for theoretical thinking, your investigative rigor, your logic and your determination, you are likely to win the honors your hard work deserves. You are a complex person, outwardly assertive, logical and intellectual, yet likely to see the many sides of an issue, feel deep sympathy for others and enjoy the spiritual as well as the concrete. You can be friendly, insightful and eager to please. These attributes, combined with your love of challenges and knowledge, make you an exciting, and at times, very sensitive companion.

How your personality breaks out

Explorer – 23% of your personality - Known for high energy, high creativity and spontaneity. Seeks novelty, risk and pleasure. Intellectually curious and not easily swayed by opinion.

Builder – 19% of your personality - Usually very popular. Deep attachment to home and family. Calm demeanor and low anxiety. Often consistent, loyal and protective.

Negotiator – 27% of your personality – Excels at seeing the big picture, long-term planning and consensus building. An intuitive thinker who is flexible, verbal and socially skilled. Imaginative, empathetic and nurturing.

Director – 29% of your personality – Daring, original, direct and inventive. A non-conformist. Skilled at abstract thinking and short-term planning. Often assertive and quite competitive. Tough-minded and efficient.

Dating Tips for Directors

• Not everyone is as direct, focused and “to the point” as you are. So make sure you give potential partners the time they need to express themselves. You will probably be surprised at their logic and intellect.

• Your competitive spirit is useful in the office but it doesn’t work in dating–unless you find someone who likes to challenge and debate. When that happens, go for it. Otherwise, try to listen actively.

• Aim at investigating some of the “grey areas” during an invigorating conversation. Much of the world does not see in black and white.

• Separate work from play. Try to get your assignments out of your mind while on a date—so you can truly enjoy your “down time” with a partner.

• Make sure to schedule enough time to get to know someone.

• Try looking directly into the eyes of your partner during a conversation; many people find this “anchoring gaze” a powerful form of intimacy.

I would have never guessed that Camille Paglia would be in awe of Sara Palin or perceive her as follows, “Conservative though she may be, I felt that Palin represented an explosion of a brand new style of muscular American feminism. At her startling debut on that day, she was combining male and female qualities in ways that I have never seen before. And she was somehow able to seem simultaneously reassuringly traditional and gung-ho futurist. In terms of redefining the persona for female authority and leadership, Palin has made the biggest step forward in feminism since Madonna channeled the dominatrix persona of high-glam Marlene Dietrich and rammed pro-sex, pro-beauty feminism down the throats of the prissy, victim-mongering, philistine feminist establishment.” Whoa. (Via Salon.com)

Fresh blood for the vampire

Rip tide! Is the Obama campaign shooting out to sea like a paper boat?

It’s heavy weather for Obama fans, as momentum has suddenly shifted to John McCain — that hoary, barnacle-encrusted tub that many Democrats like me had thought was full of holes and swirling to its doom in the inky depths of Republican incoherence and fratricide. Gee whilikers, the McCain vampire just won’t die! Hit him with a hammer, and he explodes like a jellyfish into a hundred hungry pieces.

Oh, the sadomasochistic tedium of McCain’s imprisonment in Hanoi being told over and over and over again at the Republican convention. Do McCain’s credentials for the White House really consist only of that horrific ordeal? Americans owe every heroic, wounded veteran an incalculable debt of gratitude, but how do McCain’s sufferings in a tiny, squalid cell 40 years ago logically translate into presidential aptitude in the 21st century? Cast him a statue or slap his name on a ship, and let’s turn the damned page.We need a new generation of leadership with fresh ideas and an expansive, cosmopolitan vision — which is why I support Barack Obama and have contributed to his campaign. My baby-boom generation — typified by the narcissistic Clintons — peaked in the 1960s and is seriously past it. But McCain, born before Pearl Harbor, is even older than we are! Why would anyone believe that he holds the key to the future? And why would anyone swallow that preening passel of high-flown rhetoric about “country above all” coming from a seething, short-fused character whose rampant egotism, zigzagging principles, and currying of the gullible press were the distinguishing marks of his senatorial career?

Having said that, I must admit that McCain is currently eating Obama’s lunch. McCain’s weirdly disconnected persona (beady glowers flashing to frozen grins and back again) has started to look more testosterone-rich than Obama’s easy, lanky, reflective candor. What in the world possessed the Obama campaign to let their guy wander like a dazed lamb into a snake pit of religious inquisition like Rick Warren’s public forum last month at his Saddleback Church in California? That shambles of a performance — where a surprisingly unprepared Obama met the inevitable question about abortion with shockingly curt glibness — began his alarming slide.

As I said in my last column, I have become increasingly uneasy about Obama’s efforts to sound folksy and approachable by reflexively using inner-city African-American tones and locutions, which as a native of Hawaii he acquired relatively late in his development and which are painfully wrong for the target audience of rural working-class whites that he has been trying to reach. Obama on the road and even in major interviews has been droppin’ his g’s like there’s no tomorrow. It’s analogous to the way stodgy, portly Al Gore (evidently misadvised by the women in his family and their feminist pals) tried to zap himself up on the campaign trail into the happening buff dude that he was not. Both Gore and Obama would have been better advised to pursue a calm, steady, authoritative persona. Forget the jokes — be boring! That, alas, is what reads as masculine in the U.S.

The over-the-top publicity stunt of a mega-stadium for Obama’s acceptance speech at the Democratic convention two weeks ago was a huge risk that worried me sick — there were too many things that could go wrong, from bad weather to crowd control to technical glitches on the overblown set. But everything went swimmingly. Obama delivered the speech nearly flawlessly — though I was shocked and disappointed by how little there was about foreign policy, a major area where wavering voters have grave doubts about him. Nevertheless, it was an extraordinary event with an overlong but strangely contemplative and spiritually uplifting finale. The music, amid the needlessly extravagant fireworks, morphed into “Star Wars” — a New Age hymn to cosmic reconciliation and peace.

After that extravaganza, marking the 40th anniversary of Martin Luther King Jr.’s epochal civil rights speech on the Washington Mall, I felt calmly confident that the Obama campaign was going to roll like a gorgeous juggernaut right over the puny, fossilized McCain. The next morning, it was as if the election were already over. No need to fret about American politics anymore this year. I had already turned with relief to other matters.

Pow! Wham! The Republicans unleashed a doozy — one of the most stunning surprises that I have ever witnessed in my adult life. By lunchtime, Obama’s triumph of the night before had been wiped right off the national radar screen. In a bold move I would never have thought him capable of, McCain introduced Gov. Sarah Palin of Alaska as his pick for vice president. I had heard vaguely about Palin but had never heard her speak. I nearly fell out of my chair. It was like watching a boxing match or a quarter of hard-hitting football — or one of the great light-saber duels in “Star Wars.” (Here are the two Jedi, Obi-Wan Kenobi and Qui-Gon Jinn, going at it with Darth Maul in “The Phantom Menace.”) This woman turned out to be a tough, scrappy fighter with a mischievous sense of humor.

Conservative though she may be, I felt that Palin represented an explosion of a brand new style of muscular American feminism. At her startling debut on that day, she was combining male and female qualities in ways that I have never seen before. And she was somehow able to seem simultaneously reassuringly traditional and gung-ho futurist. In terms of redefining the persona for female authority and leadership, Palin has made the biggest step forward in feminism since Madonna channeled the dominatrix persona of high-glam Marlene Dietrich and rammed pro-sex, pro-beauty feminism down the throats of the prissy, victim-mongering, philistine feminist establishment.

In the U.S., the ultimate glass ceiling has been fiendishly complicated for women by the unique peculiarity that our president must also serve as commander in chief of the armed forces. Women have risen to the top in other countries by securing the leadership of their parties and then being routinely promoted to prime minister when that party won at the polls. But a woman candidate for president of the U.S. must show a potential capacity for military affairs and decision-making. Our president also symbolically represents the entire history of the nation — a half-mystical role often filled elsewhere by a revered if politically powerless monarch.

As a dissident feminist, I have been arguing since my arrival on the scene nearly 20 years ago that young American women aspiring to political power should be studying military history rather than taking women’s studies courses, with their rote agenda of never-ending grievances. I have repeatedly said that the politician who came closest in my view to the persona of the first woman president was Sen. Dianne Feinstein, whose steady nerves in crisis were demonstrated when she came to national attention after the mayor and a gay supervisor were murdered in their City Hall offices in San Francisco. Hillary Clinton, with her schizophrenic alteration of personae, has never seemed presidential to me — and certainly not in her bland and overpraised farewell speech at the Democratic convention (which skittered from slow, pompous condescension to trademark stridency to unseemly haste).

Feinstein, with her deep knowledge of military matters, has true gravitas and knows how to shrewdly thrust and parry with pesky TV interviewers. But her style is reserved, discreet, mandarin. The gun-toting Sarah Palin is like Annie Oakley, a brash ambassador from America’s pioneer past. She immediately reminded me of the frontier women of the Western states, which first granted women the right to vote after the Civil War — long before the federal amendment guaranteeing universal woman suffrage was passed in 1919. Frontier women faced the same harsh challenges and had to tackle the same chores as men did — which is why men could regard them as equals, unlike the genteel, corseted ladies of the Eastern seaboard, which fought granting women the vote right to the bitter end.

Over the Labor Day weekend, with most of the big enchiladas of the major media on vacation, the vacuum was filled with a hallucinatory hurricane in the leftist blogosphere, which unleashed a grotesquely lurid series of allegations, fantasies, half-truths and outright lies about Palin. What a tacky low in American politics — which has already caused a backlash that could damage Obama’s campaign. When liberals come off as childish, raving loonies, the right wing gains. I am still waiting for substantive evidence that Sarah Palin is a dangerous extremist. I am perfectly willing to be convinced, but right now, she seems to be merely an optimistic pragmatist like Ronald Reagan, someone who pays lip service to religious piety without being in the least wedded to it. I don’t see her arrival as portending the end of civil liberties or life as we know it.

One reason I live in the leafy suburbs of Philadelphia and have never moved to New York or Washington is that, as a cultural analyst, I want to remain in touch with the mainstream of American life. I frequent fast-food restaurants, shop at the mall, and periodically visit Wal-Mart (its bird-seed section is nonpareil). Like Los Angeles and San Francisco, Manhattan and Washington occupy their own mental zones — nice to visit but not a place to stay if you value independent thought these days. Ambitious professionals in those cities, if they want to preserve their social networks, are very vulnerable to received opinion. At receptions and parties (which I hate), they’re sitting ducks. They have to go along to get along — poor dears!

It is certainly premature to predict how the Palin saga will go. I may not agree a jot with her about basic principles, but I have immensely enjoyed Palin’s boffo performances at her debut and at the Republican convention, where she astonishingly dealt with multiple technical malfunctions without missing a beat. A feminism that cannot admire the bravura under high pressure of the first woman governor of a frontier state isn’t worth a warm bucket of spit.

Perhaps Palin seemed perfectly normal to me because she resembles so many women I grew up around in the snow belt of upstate New York. For example, there were the robust and hearty farm women of Oxford, a charming village where my father taught high school when I was a child. We first lived in an apartment on the top floor of a farmhouse on a working dairy farm. Our landlady, who was as physically imposing as her husband, was an all-American version of the Italian immigrant women of my grandmother’s generation — agrarian powerhouses who could do anything and whose trumpetlike voices could pierce stone walls.

Here’s one episode. My father and his visiting brother, a dapper barber by trade, were standing outside having a smoke when a great noise came from the nearby barn. A calf had escaped. Our landlady yelled, “Stop her!” as the calf came careening at full speed toward my father and uncle, who both instinctively stepped back as the calf galloped through the mud between them. Irate, our landlady trudged past them to the upper pasture, cornered the calf, and carried that massive animal back to the barn in her arms. As she walked by my father and uncle, she exclaimed in amused disgust, “Men!”

Now that’s the Sarah Palin brand of can-do, no-excuses, moose-hunting feminism — a world away from the whining, sniping, wearily ironic mode of the establishment feminism represented by Gloria Steinem, a Hillary Clinton supporter whose shameless Democratic partisanship over the past four decades has severely limited American feminism and not allowed it to become the big tent it can and should be. Sarah Palin, if her reputation survives the punishing next two months, may be breaking down those barriers. Feminism, which should be about equal rights and equal opportunity, should not be a closed club requiring an ideological litmus test for membership.

Here’s another example of the physical fortitude and indomitable spirit that Palin as an Alaskan sportswoman seems to represent right now. Last year, Toronto’s Globe and Mail reprinted this remarkable obituary from 1905:

Abigail Becker Farmer and homemaker born in Frontenac County, Upper Canada, on March 14, 1830

A tall, handsome woman “who feared God greatly and the living or dead not at all,” she married a widower with six children and settled in a trapper’s cabin on Long Point, Lake Erie. On Nov. 23, 1854, with her husband away, she single-handedly rescued the crew of the schooner Conductor of Buffalo, which had run aground in a storm. The crew had clung to the frozen rigging all night, not daring to enter the raging surf. In the early morning, she waded chin-high into the water (she could not swim) and helped seven men reach shore. She was awarded medals for heroism and received $350 collected by the people of Buffalo, plus a handwritten letter from Queen Victoria that was accompanied by £50, all of which went toward buying a farm. She lost her husband to a storm, raised 17 children alone and died at Walsingham Centre, Ont.

Frontier women were far bolder and hardier than today’s pampered, petulant bourgeois feminists, always looking to blame their complaints about life on someone else.

But what of Palin’s pro-life stand? Creationism taught in schools? Book banning? Gay conversions? The Iraq war as God’s plan? Zionism as a prelude to the apocalypse? We’ll see how these big issues shake out. Right now, I don’t believe much of what I read or hear about Palin in the media. To automatically assume that she is a religious fanatic who has embraced the most extreme ideas of her local church is exactly the kind of careless reasoning that has been unjustly applied to Barack Obama, whom the right wing is still trying to tar with the fulminating anti-American sermons of his longtime preacher, Jeremiah Wright.

The witch-trial hysteria of the past two incendiary weeks unfortunately reveals a disturbing trend in the Democratic Party, which has worsened over the past decade. Democrats are quick to attack the religiosity of Republicans, but Democratic ideology itself seems to have become a secular substitute religion. Since when did Democrats become so judgmental and intolerant? Conservatives are demonized, with the universe polarized into a Manichaean battle of us versus them, good versus evil. Democrats are clinging to pat group opinions as if they were inflexible moral absolutes. The party is in peril if it cannot observe and listen and adapt to changing social circumstances.

Let’s take the issue of abortion rights, of which I am a firm supporter. As an atheist and libertarian, I believe that government must stay completely out of the sphere of personal choice. Every individual has an absolute right to control his or her body. (Hence I favor the legalization of drugs, though I do not take them.) Nevertheless, I have criticized the way that abortion became the obsessive idée fixe of the post-1960s women’s movement — leading to feminists’ McCarthyite tactics in pitting Anita Hill with her flimsy charges against conservative Clarence Thomas (admittedly not the most qualified candidate possible) during his nomination hearings for the Supreme Court. Similarly, Bill Clinton’s support for abortion rights gave him a free pass among leading feminists for his serial exploitation of women — an abusive pattern that would scream misogyny to any neutral observer.

But the pro-life position, whether or not it is based on religious orthodoxy, is more ethically highly evolved than my own tenet of unconstrained access to abortion on demand. My argument (as in my first book, “Sexual Personae,”) has always been that nature has a master plan pushing every species toward procreation and that it is our right and even obligation as rational human beings to defy nature’s fascism. Nature herself is a mass murderer, making casual, cruel experiments and condemning 10,000 to die so that one more fit will live and thrive.

Hence I have always frankly admitted that abortion is murder, the extermination of the powerless by the powerful. Liberals for the most part have shrunk from facing the ethical consequences of their embrace of abortion, which results in the annihilation of concrete individuals and not just clumps of insensate tissue. The state in my view has no authority whatever to intervene in the biological processes of any woman’s body, which nature has implanted there before birth and hence before that woman’s entrance into society and citizenship.

On the other hand, I support the death penalty for atrocious crimes (such as rape-murder or the murder of children). I have never understood the standard Democratic combo of support for abortion and yet opposition to the death penalty. Surely it is the guilty rather than the innocent who deserve execution?

What I am getting at here is that not until the Democratic Party stringently reexamines its own implicit assumptions and rhetorical formulas will it be able to deal effectively with the enduring and now escalating challenge from the pro-life right wing. Because pro-choice Democrats have been arguing from cold expedience, they have thus far been unable to make an effective ethical case for the right to abortion.

The gigantic, instantaneous coast-to-coast rage directed at Sarah Palin when she was identified as pro-life was, I submit, a psychological response by loyal liberals who on some level do not want to open themselves to deep questioning about abortion and its human consequences. I have written about the eerie silence that fell over campus audiences in the early 1990s when I raised this issue on my book tours. At such moments, everyone in the hall seemed to feel the uneasy conscience of feminism. Naomi Wolf later bravely tried to address this same subject but seems to have given up in the face of the resistance she encountered.

If Sarah Palin tries to intrude her conservative Christian values into secular government, then she must be opposed and stopped. But she has every right to express her views and to argue for society’s acceptance of the high principle of the sanctity of human life. If McCain wins the White House and then drops dead, a President Palin would have the power to appoint conservative judges to the Supreme Court, but she could not control their rulings.

It is nonsensical and counterproductive for Democrats to imagine that pro-life values can be defeated by maliciously destroying their proponents. And it is equally foolish to expect that feminism must for all time be inextricably wed to the pro-choice agenda. There is plenty of room in modern thought for a pro-life feminism — one in fact that would have far more appeal to third-world cultures where motherhood is still honored and where the Western model of the hard-driving, self-absorbed career woman is less admired.

But the one fundamental precept that Democrats must stand for is independent thought and speech. When they become baying bloodhounds of rigid dogma, Democrats have committed political suicide.

Camille Paglia’s column appears on the second Wednesday of each month. Every third column is devoted to reader letters. Please send questions for her next letters column to this mailbox. Your name and town will be published unless you request anonymity.

Regina Spektor entry on Wikipedia

Regina Spektor (born February 18, 1980) is a Soviet-born American singer-songwriter and pianist. Her music is associated with the anti-folk scene centered on New York City’s East Village.

Early life
Spektor was born in Moscow, Russia, Soviet Union to a musical family. Her father, a photographer, was also an amateur violinist, and her mother was a music professor in a Russian conservatoire; she now teaches at a public elementary school in Mount Vernon, New York.

Spektor studied classical piano from the age of six, and was also exposed to the music of rock and roll bands such as The Beatles, Queen, and The Moody Blues by her father, who obtained such recordings in Eastern Europe and traded cassettes with friends in the Soviet Union. The family left the Soviet Union in 1989, when Regina was nine, during the period of Perestroika when Jewish citizens were permitted to emigrate. The seriousness of her piano studies led her parents to consider not leaving Russia, but they finally decided to emigrate, for religious and political reasons.

Travelling first to Austria and then Italy, the family settled in the Bronx, New York, and eventually moved to Fair Lawn, New Jersey, where she finished the last three years of her high school career. Spektor has stated that she was originally interested only in classical music, but later became interested in hip hop, rock, and punk.

Beginnings as a songwriter
In New York, Spektor gained a firm grounding in classical music from her piano teacher, Sonia Vargas, a professor at the Manhattan School of Music. Spektor studied with Vargas—whom Spektor’s father had met through violinist Samuel Marder, Vargas’s husband—until she was 17.

Although she had always made up songs around the house, Spektor first became interested in songwriting during a visit to Israel with the Nesiya Institute in her teenage years. Attracting attention from the other children on the trip for the songs she made up while hiking, she realized she had an aptitude for songwriting. Following this trip, she was first exposed to the work of Joni Mitchell, Ani DiFranco, and other singer-songwriters, which gave her the idea that she could create her own songs. She began writing her first a cappella songs around age 16, and wrote her first songs for voice and piano when she was nearly 18.

Spektor completed the four-year studio composition program of the Conservatory of Music at Purchase College in Purchase, New York within three years, graduating with honors in 2001. She worked briefly at a butterfly farm in Luck, Wisconsin. She gradually achieved recognition through performances in the anti-folk scene in downtown New York City, most importantly at the East Village’s Sidewalk Cafe. During this period, she sold her self-produced CDs 11:11 (2001) and Songs (2002) at such performances.

Style
Spektor’s songs rely on a mixture of styles and techniques, often starting with a piano riff but ending with moans, nonsense words, warblings, and other noises. Spektor has said that she has created 700 songs, but that she rarely writes any of them down. Spektor’s songs are not usually autobiographical, but rather are based on scenarios and characters drawn from her imagination. Her songs show influences from folk, Jewish, Russian, hip hop, jazz, and classical music. Spektor has said that she works hard to ensure that each of her songs has its own musical style, rather than trying to develop a distinctive style for her music as a whole.

Spektor possesses a broad vocal range and uses the full extent of it. She also explores a variety of different and somewhat unorthodox vocal techniques, such as verses composed entirely of buzzing noises made with the lips, beatbox-style flourishes in the middle of ballads, or the use of a drum stick to tap rhythms on the body of the piano or chair. Part of her style also results from the exaggeration of certain aspects of vocalization, most notably the glottal stop, which is prominent the single “Fidelity”. She also uses a strong New York accent on some words, which she has said is due to her love of New York and its culture.

Her lyrics are equally eclectic, often taking the form of abstract narratives or first-person character studies, similar to short stories or vignettes put to song. Spektor usually sings in English, though she sometimes includes a few words or verses of Latin, Russian, French, and other languages in her songs. Spektor’s music is further set apart from mainstream folk music by its frequent literary references, such as to F. Scott Fitzgerald and Ernest Hemingway in “Poor Little Rich Boy”, The Little Prince in “Baobabs”, Virginia Woolf and Margaret Atwood in “Paris”, Ezra Pound and William Shakespeare in “Pound of Flesh”, Boris Pasternak in “Après Moi”, and Oedipus the King in “Oedipus”. Recurring themes and topics in Spektor’s lyrics include love, death, religion (particularly Biblical and Christian references), city life (particularly New York references), and certain key phrases have been known to recur in different songs by Spektor, such as references to gravediggers, the Tree of Knowledge of Good and Evil, and the name “Mary Ann.”

In Spektor’s early albums, many of her tracks had a very dry vocal production, with very little reverb or delay added. However, Spektor’s more recent albums, particularly Begin to Hope, have put more emphasis into song production and have relied more on traditional pop and rock instruments.

Performances
Since roughly January 2005, Spektor has performed on a bright red Baldwin baby grand piano. She opened for The Strokes in 2003, on her first North American tour. Subsequently, she appeared on Late Night with Conan O’Brien twice, The Tonight Show with Jay Leno twice, Jimmy Kimmel Live, and Last Call with Carson Daly twice. She has toured the United States and Europe. Although she generally only performs original material, she performed her first covers in 2005, of songs by Leonard Cohen and Madonna for the 2nd Annual Jewish Music & Heritage Festival at the 92nd Street Y in New York City.

While with The Strokes on their 2003–2004 Room on Fire tour, Spektor performed “Modern Girls & Old Fashion Men” alongside the band.

In 2006, Spektor embarked on a successful headlining tour of the United States and Europe, selling out numerous clubs and theaters.

Media coverage
Beginning in 2005, Spektor’s music has been used in various television programs and commercials. In late 2005 “Us” (from Soviet Kitsch) was used in a commercial as part of the What Do You Want To Watch? series for the United Kingdom’s Sky Television. The advert features a clip from a documentary on skateboarder Danny Way. In the summer of 2006, a clip from “Us” was used for the teaser website for Microsoft’s Zune project at ComingZune.com, as well as for a promotional campaign for MtvU. “Somedays” was used in a 2005 episode of CSI: NY and “Samson” was used in a 2006 episode of the same series. “On the Radio” was used in an episode of ABC’s popular Grey’s Anatomy. “Field Below” was used in a 2006 episode titled “The Last Word” of CBS’s Criminal Minds. “Fidelity” was also used in a recent episode of “Grey’s Anatomy” titled “Sometimes a Fantasy”, in an episode of Veronica Mars titled “Friday Night Sleights”, and in an episode of “Brothers & Sisters” titled “Sexual Politics”. “Better” is currently being used in a commercial for XM Satellite Radio. Spektor also sang the title song “Little Boxes” of Showtime’s television series Weeds in the 2006 episode “Mile Deep and a Foot Wide” and her “Ghost of Corporate Future” was used both at the beginning and end of the episode.

Regina Spektor gained much media attention in 2006 when her video for “Fidelity” was viewed over 200,000 times in two days on the YouTube website. On SIRIUS Radio’s Left of Center channel, her single “Fidelity” was voted by listeners as the #1 song of 2006.

In Australia particularly, Spektor’s music has rapidly gained popularity in mainstream culture primarily due to Begin To Hope being played on the nation-wide radio station Triple J, where it eventually became a feature album. Prior to Begin To Hope, Regina Spektor had only a small following in Australia in comparison to the US and Europe.

Discography
Most of Spektor’s early albums have been released exclusively in the United States. Her compilation, Mary Ann Meets the Gravediggers and Other Short Stories, has been released worldwide.

Albums
2001 – 11:11 (Regina Spektor)
2002 – Songs (Regina Spektor)
2004 – Soviet Kitsch (Sire/London/Rhino)
2005 – Mary Ann Meets the Gravediggers and Other Short Stories (Transgressive)
2006 – Begin to Hope (Sire) US sales 160,720

Singles and EPs
2003 – Reptilia b/w Modern Girls & Old Fashion Men by The Strokes (Rough Trade)
2004 – Your Honor / The Flowers (Shoplifter)
2005 – Live at Bull Moose EP (Sire)
2005 – Carbon Monoxide (Transgressive)
2006 – Us (Transgressive)
2006 – On the Radio (Sire) UK #60
2006 – Fidelity (Sire) US #84*

Compilations
2006 – Mary Ann Meets the Gravediggers and Other Short Stories (Transgressive)

REGINA SPEKTOR
Begin To Hope (SIRE)

A mere five years ago, Regina Spektor was hypnotizing small crowds at hole-in-the-wall venues on New York ‘s Lower East Side . After playing hundreds of shows in and around NYC, Spektor became the talk of the burgeoning music scene. Though she was selling many copies of CDs she had recorded and produced with friends ( 11:11 and Songs), it was her next album, “Soviet Kitsch,??? that would become her calling card. Originally released as a CDR and handed out at shows, Spektor signed with Sire Records who re-released “Soviet Kitsch??? in 2003. While touring nationally and abroad in support of “Soviet Kitsch,??? Spektor began as an opening act but by year’s end was the main attraction. Going from 200-capacity venues to selling out 1,300 capacity-venues like New York ‘s Irving Plaza and London ‘s Shephard Bush Empire, this Russian-born chanteuse’s songs have gone from being burned in her bedroom to receiving a worldwide fanfare. Though in love with playing shows to her rapidly growing audience, Spektor had written hundreds of songs since “Soviet Kitsch??? and was eager to get back into the studio.

Abandoning her usual method of production and opting for a new experience, Spektor holed herself up at New York Noise Studios in NYC’s Meatpacking District with seasoned producer David Kahne (Paul McCartney). Spending two months during the summer of 2005 working on her fourth release (this new album is also considered her major label debut), Spektor had the opportunity to experiment “until a little Frankenstein was born.” Taking two months to record was a huge amount of time by Spektor’s standards, since she had recorded her “Songs??? record in 1 day and “Soviet Kitsch??? in 10. “To work like this had been a dream of mine, but I thought it would be years before it happened. I definitely tried to put every aspect of myself into it. We played with wires and sounds, set the lab on fire a bunch of times, laughed and started again.???

“Before I even started I knew I was going to experiment with things I’ve only thought about, like beats and drums,” explains Spektor, a multi-instrumentalist. “I really wanted to play with electronic instruments and bigger arrangements. Still, on this record, there are some songs where it’s really sparse. You don’t want to arrange just for the sake of arranging. I had to be careful so the music wouldn’t be more fun to make than to listen to.”

Judging from the final product, we’d say mission accomplished. On “Begin To Hope??? Spektor took the lyrical vignettes and sparse instrumentation she crafted for “Soviet Kitsch??? and pushed herself more in every direction—both lyrically and musically. From the staccato strings plucking the opening chords to the album’s first song, “Fidelity,??? to the blues-infused homage to Billie Holiday “Lady,??? Spektor isn’t able to pinpoint the exact inspiration behind her musical musings.

“You don’t ever know the true lineage of your songs,??? reveals Spektor. “Maybe I’m becoming less of a narrator and more of a character these days. I was always used to observing and writing third-person narrative stories about things I was seeing. Then, as time went on, I started placing myself in these scenes, more like an actor.???

“I don’t fully understand the fascination of people wanting to know the ‘real’ you after listening to your songs” says Spektor, who is still extremely careful when it comes to sharing her personal life with the public. “I understand the fascination of people to want to know you,??? admits Spektor but “ People always want to know which part of the song really happened, they want to know some sort of a “Truth.” For some reason they can see the same actor acting in 17 different movies, using 17 different hair colors, using fake props, changing their voice, changing their accent, being evil or being the victim, and they are okay with that. They understand that it’s just a movie, they understand that it’s an art. But with music they forget. Music, somehow, is life.”

Always willing to damn convention for the sake of creativity, Spektor is one of those rare talents who manage to outrun the trends and force the rest of the world to keep up. “The more I experience in this world, the more questions I seem to have about where this life is leading,??? reveals Spektor . Begin To Hope might still mark the beginning of her career, but Regina Spektor has been carving out her place in music history since she sang her first note.

I thought I would share my Chemistry Profile since my time is up on Chemistry.com and I want to see if you, gentle reader, think they got me right.

Hello Chris,Welcome to your Chemistry Profile.

The following analysis is based on your responses to our questionnaire. Your results identify your major and minor personality types, as well as the types with whom you’re likely to be compatible.

Your Major and Minor Personality Types
Characteristics of all four personality types can be found within each of us, but there is almost always one personality type that is dominant. We call this the major personality type.

The Chemistry Profile also identifies your minor or secondary personality type. You exhibit some aspects of this personality type, though not to the same degree as with your major type.

Your major personality type = Director
Your minor personality type = Negotiator

You are a DIRECTOR/negotiator

You are an innovator. You are an inventive, thorough, independent thinker with a deep interest in how the world works. You quickly grasp patterns and relationships. And when you focus on a particular work-related or social puzzle, you often come up with novel theories and ideas about it.

You have a strong need to achieve. You want to make an impact on the world. And with your aptitude for theoretical thinking, your investigative rigor, your logic and your determination, you are likely to win the honors your hard work deserves.

You are a complex person, outwardly assertive, logical and intellectual, yet likely to see the many sides of an issue, feel deep sympathy for others and enjoy the spiritual as well as the concrete.

You can be friendly, insightful and eager to please. These attributes, combined with your love of challenges and knowledge, make you an exciting, and at times, very sensitive companion.

E-Explorer – 21% N-Negotiator – 25%
B-Builder – 22% D-Director – 29%

How your personality breaks out You Matched with Compatibility Rating Explorer – 21% of your personality Known for high energy, high creativity and spontaneity. Seeks novelty, risk and pleasure. Intellectually curious and not easily swayed by opinion.

Builder – 22% of your personality Usually very popular. Deep attachment to home and family. Calm demeanor and low anxiety. Often consistent, loyal and protective.

Negotiator – 25% of your personality Excels at seeing the big picture, long-term planning and consensus building. An intuitive thinker who is flexible, verbal and socially skilled. Imaginative, empathetic and nurturing.

Director – 29% of your personality Daring, original, direct and inventive. A non-conformist. Skilled at abstract thinking and short-term planning. Often assertive and quite competitive. Tough-minded and efficient.

Universal Personality Traits

A globally accepted consensus of the five basic personality traits. People with a HIGH degree of the following traits generally get along well with the personality types highlighted below.

Extravert Friendly, talkative and outgoing. Often takes on leadership roles. Comfortable around others, especially large groups.

Agreeable Easygoing in nature. Can be tolerant and accommodating of others. Interested in creating harmony and building consensus.

Conscientious Determined to meet or exceed stated goals. Disciplined and extremely focused at work. Not easily distracted.

Open to New Experiences Interested in innovation, experimentation and new solutions. Willing to try new experiences. Creative, original thinker.

Emotional Stability Strong and steady, not easily upset. Level-headed in response to unforeseen changes or problems. Calm and collected.